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Addresses the questions: What might be the role of the artist in the 21st century? How essential is art to the psychic and political well-being of American society?
This collection of essays by cultural critic Carol Becker plumbs particular areas of controversy to understand what information these "zones of contention" might yield about the multifarious culture wars taking place within American society today.
In the process she addresses the place of art and artists in society, the difficulties facing women in the workplace, why male bonding exists, why women experience anxiety in relationship to creative endeavors, and why artists are misunderstood within American society. She positions art and artists, as well as institutional dynamics within a philosophical framework.
"Becker's analysis ranges across a broad spectrum of interests and concerns in the field of art. Larger issues, such as the role of art in society, are analyzed with the same focus and attention to the specific as are essays on individual artists and/or works of art. This book addresses perhaps the single most important area of concern in the arts at the present time. It is a really brilliant book, tremendously helpful and stimulating. " — Marcia Tucker, Director, The New Museum of Contemporary Art
"The richness of Becker's experience and her journey as a thinker and educator provide inspiration to those wanting a better world and caution as to how to get there. Becker's history of study, position in the art and academic structures, and seasoning as a writer give her a unique voice that is vital and informative." — Arlene Raven, author of Art in the Public Interest
"What is so remarkable about Carol Becker's book is that it imaginatively rewrites the role of the artist as a public intellectual. For Becker, understanding the complexity of the art process and its relationship with multiple publics is a pedagogical process that deepens our understanding of how industries are formed, artwork produced, and responsibilities engaged so as to enable the possibilities of democratic public life." — from the Foreword by series editor, Henry A. Giroux
Acknowledgments
Introduction
PART I: ART IN SOCIETY
1. Art Thrust into the Public Sphere
2. When Cultures Come into Contention
3. Social Responsibility and the Place of the Artist in Society
4. Herbert Marcuse and the Subversive Potential of Art
PART II: THE EDUCATION OF ARTISTS
5. The Education of Young Artists and the Issue of Audience
6. Private Fantasies Shape Public Events and Public Events Invade and Shape Our Dreams
7. Reimagining Art Schools
PART III: WRITING ON ART
8. Imaginative Geography
9. Goat Island's We Got a Date
10. From Tantrums to Prayer
11. Drawing from the Subtle Body
12. Lineaments of Desire
13. The Prodigal Daughter
PART IV: GENDER AND CREATIVITY
14. Women, Anxiety, Creativity
15. Male Anxiety and the Fear of Female Authority
16. Men in Suits
17. The Institution as Dysfunctional Family
Notes on Chapters
Index