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William Blake and the Moderns
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30 June 1983

Robert Bertholf and Annette Levitt have assembled thirteen essays that establish Blake as a "central voice molding modern literature and thought." The essays in this volume examine Blake's influence on modern poetry, the modern novel, and modern thought from various critical approaches. This collection maps out the lines of direct literary influences and indirect intellectual affinities that make up the tradition of enacted form. Through the use of various aspects of Blake's form and ideas, this book reasserts the idea of continuity, the drive for wholeness, and the arrival of new poetic forms.
Blake is considered one of the major and most modern of Romantics. This collection positions him as a precursor of the modern, using his vision and poetry as a base for discussing a central issue in literary theory today-influence and the literary tradition-just how is the legacy of a literary artist passed on, and how is it resurrected in the works of subsequent generations.
Introduction: The Tradition of Enacted Forms
Abbreviations
PART I
The Seven Eyes of Yeats
Hazard Adams
Blake, Whitman, Crane: The Hand of Fire
Donald Pease
Blake, Eliot, and Williams: The Continuity of Imaginative Labor
Leroy Searle
Blake and Roethke: When Everything Comes to One
Jay Parini
Robert Duncan: Blake's Contemporary Voice
Robert J. Bertholf
Blake, Ginsberg, Madness, and the Prophet as Shaman
Alicia Ostriker
PART II
Joyce's Blake: Paths of Influence
Robert F. Gleckner
Why the Sons of God Want the Daughters of Men: On William Blake and D.H. Lawrence
Myra Glazer
"The Mental Traveller" in The Horse's Mouth: New Light on the Old Cycle
Annette S. Levitt
A Fourfold Vision: William Blake and Doris Lessing
Susan Levin
PART III
The Humanized Universe of Blake and Marx
Minna Doskow
Blake, Teilhard, and the Idea of the Future of Man
Eileen Sanzo
William Blake and the Problematic of the Self
William Dennis Horn
Notes on Contributors
Index