After sixty surgeries at a cost of almost $200,000 to feminize and beautify her originally male body, transgendered Canadian artist Nina Arsenault has created a body of work emanating from her experiences that includes photographs, videos disseminated online, a website, a blog, several social networking presentation sites, stage plays, print media writing and performance of the body in both celebrity appearances and daily public life. Arsenault was born in rural Ontario in 1974 and until the age of six lived as Rodney in a trailer park with her working-class family. Her father delivered bread.
Introduction – Judith Rudakoff
Part I: The Texts
Chapter 1: Affirming Identity with Your Friendly Neighbourhood Cyborg – Sky Gilbert
Chapter 2: Unreal Beauty: Identification and Embodiment in Nina Arsenault’s “Self-Portraits” – J. Paul Halferty
Chapter 3: Daughter of the Air: Three Acting Sessions and Nina Arsenault’s Imaginary Body – Cynthia Ashperger
Chapter 4: Nina, Amber and the Evolution of a Commodified Sexual Being – Todd Klinck
Chapter 5: Sexed Life is a Cabaret: The Body Politics of Nina Arsenault’s The Silicone Diaries – Frances J. Latchford
Chapter 6: Chopping at the Sexy Bits: [Trans]cending the Body with Surgical Conundrums – J Mase III
Chapter 7: Nina Arsenault: Fast Feminist Objet a – Shannon Bell
Chapter 8: T he Artist as Complication: Nina Arsenault and the Morality of Beauty – Alistair Newton
Chapter 9: Landscape with Yukon and Unnatural Beauty – Nina Arsenault
Chapter 10: Performing the Prosthetics of Femininity: Nina Arsenault’s Transsexual Body as a Living Art Object – Benjamin Gillespie
Chapter 11: Compelling Honesty: Searching for Authenticity in the Voice of Nina Arsenault – Eric Armstrong
Chapter 12: Live in Your Blood: A Fragmentary Response to Nina Arsenault’s Holy Theatre and Spiritual Gift – Shimon Levy
Chapter 13: St. Nina and the Abstract Machine: Aesthetics, Ontology, Immanence – David Fancy
Part II: THE SILICONE DIARIES
Director’s Note – Brendan Healy
The Silicone Diaries – Nina Arsenault
Part III: The Photographs