Now available in paperback, this is a comprehensive study of the most influential figure in postwar American literature. Over a writing career spanning more than fifty years, Thomas Pynchon has been at the forefront of America’s engagement with postmodern literary possibilities. In chapters that address the full range of Pynchon’s career, from his earliest short stories and first novel, V., to his most recent work, this book offers highly accessible and detailed readings of a writer whose work is indispensable to understanding how the American novel has met the challenges of postmodernity. The authors discuss Pynchon’s relationship to literary history, his engagement with discourses of science and utopianism, his interrogation of imperialism and his preoccupation with the paranoid sensibility. Invaluable to Pynchon scholars and to everyone working in the field of contemporary American fiction, this study explores how Pynchon’s complex narratives work both as exuberant examples of formal experimentation and as serious interventions in the political health of the nation.
Price: £25.00
Pages: 256
Publisher: Manchester University Press
Imprint: Manchester University Press
Series: Contemporary American and Canadian Writers
Publication Date:
01 August 2015
ISBN: 9780719099342
Format: Paperback
BISACs:
LITERARY CRITICISM / American / General, Literary studies: fiction, novelists and prose writers, BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures, Literature: history and criticism
Malpas and Taylor are indeed stimulating. Their study provides a clear, lucid discussion of several key themes in Pynchon’s novels, chief amongst which are paranoia, the emancipatory power of fantasy and alternative modes of perception, and the ‘subjunctive potentiality’ of spaces of resistance. Malpas and Taylor’s analysis is always illuminating, and their analysis of space in particular ensures that their book is a significant contribution to the diffuse field of Pynchon scholarship., George Twigg, Orbit, 2 March 2015
Andrew Taylor and Simon Malpas are Senior Lecturers in English Literature at the University of Edinburgh
Introduction: ‘the fork in the road’
1. Refuge and refuse in Slow Learner
2. Convoluted reading: identity, interpretation and reference in The Crying of Lot 49
3. Disappearing points: V.
4. ‘A progressive knotting into’: power, presentation and history in Gravity’s Rainbow
5. Cultural nostalgia and political possibility in Vineland
6. Mason & Dixon and the transnational vortices of historical fiction
7. ‘I believe in incursion from elsewhere’: political and aesthetic disruption in Against the Day
Conclusion: Inherent Vice as Pynchon Lite?
Works Cited
Index