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The Lost Manuscript of Frédéric Cailliaud

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The travel accounts of Frédéric Cailliaud were an important early contribution to the birth of Egyptology in the first half of the nineteenth century. But one of his major works was never published...
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  • 15 February 2014
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The travel accounts, drawings, and collections of Frédéric Cailliaud were an important early contribution to the birth of the new scientific discipline of Egyptology in the first half of the nineteenth century. But one of his major works—on the arts and crafts of ancient Egypt—was never published. For the first time here, his exquisite color plates are presented alongside a translation of his original French text describing them. Explanatory material by Andrew Bednarski and other scholars puts the work in context.
Arriving in Egypt in 1815, Cailliaud embarked upon a series of explorations that included the rediscovery of the Roman emerald mines at Mount Zabora and ancient routes to the Red Sea, and expeditions in the Eastern and Western Deserts and the land we know today as Ethiopia. He made copious notes on the flora and fauna, people and antiquities he saw, and took a collection of over two thousand objects back to France. Cailliaud’s beautifully rendered watercolors of scenes on ancient Egyptian tombs and temples (viewed before Champollion’s deciphering of Egyptian hieroglyphs) show animated scenes of ancient daily life, with which he draws parallels to the nineteenth-century activities he observed around him.
This is a work that will appeal not only to Egyptologists (professional and amateur), but also to historians, art historians, and readers interested in design. The original French text, never before published, is included in electronic form.

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Price: £35.00
Pages: 288
Publisher: The American University in Cairo Press
Imprint: The American University in Cairo Press
Publication Date: 15 February 2014
Trim Size: 11.00 X 8.00 in
ISBN: 9789774166167
Format: Hardcover
BISACs:

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Foreword: Inception of the Project, W. Benson Harer, Jr.
Prologue: Frédéric Cailliaud, curator of Nantes’ Natural History Museum, Pierre Watelet
Preface: Project Overview and ARCE’s Involvement, Gerry D. Scott III
Acknowledgements
Part I: Context
Chapter 1: The Life, Travels and Work of Frédéric Cailliaud, Philippe Mainterot
Chapter 2: The Harer Collection’s History, Form, Content, Evolution, and Goals, Andrew Bednarski
Part II: The Arts and Crafts
Chapter 1: Fowling
Chapter 2: Hunting
Chapter 3: Fishing
Chapter 4: Herdsmen and Animals
Chapter 5: Agriculture, Flax, Irrigation, Vines, Gardening, Trees
Chapter 6.1: On the Extraction of Essences and Other Liquids
Chapter 6.2: On Games
Chapter 6.3: Transport of Statues
Chapter 7: Manufacture and Use of Unfired Bricks
Chapter 8: The Potter’s Art
Chapter 9: Tanners, Leatherworkers
Chapter 10: On Basketry
Chapter 11: On Cordage
Chapter 12: Woodworker
Chapter 13: Glassmaking
Chapter 14: Use of Metals
Chapter 15: Clothing
Chapter 16: The Art of Preparing Hair
Chapter 17: On the Embalmment of the Ancient Egyptians
Chapter 18: Carpenters
Part III: Plates
Chapter 1: The Visual Corpus and Cailliaud, Andrew Bednarski
Chapter 2: The Plates
Appendices and Bibliography
Appendix I: Plate Attribution, Philippe Mainterot
Appendix II: Fragmentary Notes and Chapters, Andrew Bednarski
Appendix III: Pharaonic Chronology, Andrew Bednarski
Bibliography