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Studies in the Art of China and South-East Asia, Volume I
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Professor Sullivan, an expert on Chinese art, presents a collection of his papers covering traditional Chinese art and its development over two millennia. He discusses recurring themes, early scree...
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31 December 1991

Professor Sullivan is a leading authority on the art of China, and has published a number of standard works on both traditional and modern Chinese art. These two volumes bring together for the first time his papers on the subject, and include a number of important studies on the related art of South-East Asia.
The first volume concentrates on traditional Chinese art. In its long and relatively uninterrupted development over a period of two thousand years, Chinese art can only be compared with the art of ancient Egypt. The author gives a resume of the stages of this development in his first paper, and isolates certain recurrent themes and attitudes in the four studies that follow. Other papers deal with screen and scroll painting in the early period, and with the excavation of a T'ang emperor's tomb. The period of the Ming and Ch'ing emperors is also covered, leading up to the first contacts with Western art in the seventeenth and eighteenth centuries, and the work of European artists in China.
The volume concludes with a number of Professor Sullivan's reviews of works by other scholars on Chinese art, and of exhibitions, and an appreciatlon of the work of Arthur Waley. There is a new preface and index, and the author has supplied additional notes to the original articles which draw attention to subsequent research.
The first volume concentrates on traditional Chinese art. In its long and relatively uninterrupted development over a period of two thousand years, Chinese art can only be compared with the art of ancient Egypt. The author gives a resume of the stages of this development in his first paper, and isolates certain recurrent themes and attitudes in the four studies that follow. Other papers deal with screen and scroll painting in the early period, and with the excavation of a T'ang emperor's tomb. The period of the Ming and Ch'ing emperors is also covered, leading up to the first contacts with Western art in the seventeenth and eighteenth centuries, and the work of European artists in China.
The volume concludes with a number of Professor Sullivan's reviews of works by other scholars on Chinese art, and of exhibitions, and an appreciatlon of the work of Arthur Waley. There is a new preface and index, and the author has supplied additional notes to the original articles which draw attention to subsequent research.
Price: £50.00
Pages: 410
Publisher: Pindar Press
Imprint: Pindar Press
Publication Date:
31 December 1991
ISBN: 9780907132417
Format: Hardcover
BISACs:
ART / Asian / General, History of art
Preface
The Heritage of Chinese Art
Some Notes on the Social History of Chinese Art
The Magic Mountain
Fantastics and Eccentrics in Chinese Painting
Pictorial Art and the Attitude toward Nature in Ancient China
Notes on Early Chinese Screen Painting
On Painting the Yun-t'ai-shan
A Further Note on the Admonitions Scroll
A Forgotten T'ang Master of Landscape Painting
The Excavation of the Royal Tomb of Wang Chien
The Night Market at Yang-ch'eng
The Ch'ing Scholar-Painters and their World
The Chinese Art of Water Printing, Shui-yin
Art and Politics in Seventeenth-century China
Some Possible Sources of European Influence on Late Ming and Early Ch'ing Painting
The Chinese Response to Western Art
Sandrart on Chinese Painting
Chinnery the Portrait Painter
The Barlow Collection of Chinese Bronzes, Jades and Ceramics
Reviews of Books and Exhibitions
Reaching Out
Additional Notes
Index
The Heritage of Chinese Art
Some Notes on the Social History of Chinese Art
The Magic Mountain
Fantastics and Eccentrics in Chinese Painting
Pictorial Art and the Attitude toward Nature in Ancient China
Notes on Early Chinese Screen Painting
On Painting the Yun-t'ai-shan
A Further Note on the Admonitions Scroll
A Forgotten T'ang Master of Landscape Painting
The Excavation of the Royal Tomb of Wang Chien
The Night Market at Yang-ch'eng
The Ch'ing Scholar-Painters and their World
The Chinese Art of Water Printing, Shui-yin
Art and Politics in Seventeenth-century China
Some Possible Sources of European Influence on Late Ming and Early Ch'ing Painting
The Chinese Response to Western Art
Sandrart on Chinese Painting
Chinnery the Portrait Painter
The Barlow Collection of Chinese Bronzes, Jades and Ceramics
Reviews of Books and Exhibitions
Reaching Out
Additional Notes
Index