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Studies in Anglo-Saxon Sculpture
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Professor Cramp's 30-year research on Anglo-Saxon sculpture, especially in Northumbria, revolutionized our understanding. This book compiles his work, focusing on Northumbria's cultural impact, Chr...
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31 December 1992

Professor Cramp's work on Anglo-Saxon sculpture over the last thirty years has transformed our knowledge of the subject. The crosses and sculptural fragments surviving, particularly in the region of Anglo-Saxon Northumbria, had previously been known through the result of antiquarian research. To the author belongs the credit of bringing this body of work into the perspective of contemporary European and Insular art, and establishing a context for their creation with the help of archaeological methods.
This book brings together for the first time Professor Cramp's studies on the monuments, previously published in a number of specialist journals. The emphasis is on Northumbria, the monasteries of Monkwearmouth and Jarrow, Hexham and Lindisfarne, which provided the seed-bed for the great flowering of Northumbrian culture that gave us Bede and the Book of Lindisfarne. The crosses that marked the spread of Christianity over the north of England are dealt with in this context. The radiation of this influence throughout Anglo-Saxon England also receives attention.
This book brings together for the first time Professor Cramp's studies on the monuments, previously published in a number of specialist journals. The emphasis is on Northumbria, the monasteries of Monkwearmouth and Jarrow, Hexham and Lindisfarne, which provided the seed-bed for the great flowering of Northumbrian culture that gave us Bede and the Book of Lindisfarne. The crosses that marked the spread of Christianity over the north of England are dealt with in this context. The radiation of this influence throughout Anglo-Saxon England also receives attention.
Price: £60.00
Pages: 372
Publisher: Pindar Press
Imprint: Pindar Press
Publication Date:
31 December 1992
ISBN: 9780907132615
Format: Hardcover
BISACs:
ART / European, Sculpture, ART / Sculpture & Installation
Preface
The Anglian Sculptured Crosses of Dumfriesshire
A Name Stone from Monkwearmouth
Early Northumbrian Sculpture: A Cross from St. Oswald's Church, Durham, and its Stylistic Relationships
Two Newly-discovered Fragments of Anglo-Saxon Sculpture from Tynemouth
The Position of the Otley Crosses in English Sculpture of the Eighth and Ninth Centuries: Tradition and Innovation in English Stone Sculpture
Early Northumbrian Sculpture at Hexham
Anglo-Saxon Sculpture of the Reform Period
Schools of Mercian Sculpture
The Anglian Tradition in the Ninth Century
The Evangelist Symbols and their Parallels in Anglo-Saxon England
The Pre-Conquest Sculptural Tradition in Durham
Northumbria and Ireland
The Furnishing and Sculptural Decoration of Anglo-Saxon Churches
Anglo-Saxon and Italian Sculpture
The Artistic Influence of Lindisfarne within Northumbria
Additional Notes
Index
The Anglian Sculptured Crosses of Dumfriesshire
A Name Stone from Monkwearmouth
Early Northumbrian Sculpture: A Cross from St. Oswald's Church, Durham, and its Stylistic Relationships
Two Newly-discovered Fragments of Anglo-Saxon Sculpture from Tynemouth
The Position of the Otley Crosses in English Sculpture of the Eighth and Ninth Centuries: Tradition and Innovation in English Stone Sculpture
Early Northumbrian Sculpture at Hexham
Anglo-Saxon Sculpture of the Reform Period
Schools of Mercian Sculpture
The Anglian Tradition in the Ninth Century
The Evangelist Symbols and their Parallels in Anglo-Saxon England
The Pre-Conquest Sculptural Tradition in Durham
Northumbria and Ireland
The Furnishing and Sculptural Decoration of Anglo-Saxon Churches
Anglo-Saxon and Italian Sculpture
The Artistic Influence of Lindisfarne within Northumbria
Additional Notes
Index