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Painting the Palace
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Andrew Martindale's collection of essays study secular painting history in medieval and early Renaissance Italy, emphasising evidence for secular decoration in Venice, Siena and Mantua, shedding li...
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31 December 1995

These eight papers by Professor Martindale represent his major studies on the history of secular painting in medieval and early Renaissance Italy. Written over fifteen years, they focus attention on the evidence for secular decoration in this period. Covering Venice, Siena, and Mantegna's work in Mantua, this represents an important and often neglected aspect of early Italian art.
Price: £60.00
Pages: 232
Publisher: Pindar Press
Imprint: Pindar Press
Publication Date:
31 December 1995
ISBN: 9780907132905
Format: Hardcover
BISACs:
ART / History / Medieval, History of art
Preface
Painting for Pleasure: Some Lost Fifteenth-century Secular Decorations of Northern Italy
The Problem of Guidoriccio
Heroes, Ancestors, Relatives and the Birth of the Portrait
Simone Martini and the Problem of Retirement
"There is neither Speech nor Language but their Voices are heard among them". The Enigma of Discourse concerning Art and Artists in the 12th and 13th Centuries
Mantegna's camera picta as Wall Decoration
Venice and Alexander III - Two Painted Impostures?
The Venetian Sala del Gran Consiglio and its Fourteenth-century Decoration
Additional Notes
Index
Painting for Pleasure: Some Lost Fifteenth-century Secular Decorations of Northern Italy
The Problem of Guidoriccio
Heroes, Ancestors, Relatives and the Birth of the Portrait
Simone Martini and the Problem of Retirement
"There is neither Speech nor Language but their Voices are heard among them". The Enigma of Discourse concerning Art and Artists in the 12th and 13th Centuries
Mantegna's camera picta as Wall Decoration
Venice and Alexander III - Two Painted Impostures?
The Venetian Sala del Gran Consiglio and its Fourteenth-century Decoration
Additional Notes
Index