Skip to product information
1 of 1

From the Romans to the Normans on the English Renaissance Stage

Regular price £75.00
Sale price £75.00 Regular price £75.00
Sale Sold out
Examines the late 16th- and early 17th-century engagement with a crucial part of Britain's past, the period between the withdrawal of the Roman legions and the Norman Conquest. Considers how ideas ...
Read More
  • Format:
  • 30 November 2017
View Product Details
This book examines the late sixteenth- and early seventeenth-century engagement with a crucial part of Britain's past, the period between the withdrawal of the Roman legions and the Norman Conquest. A number of early modern plays suggest an underlying continuity, an essential English identity linked to the land and impervious to change. This book considers the extent to which ideas about early modern English and British national, religious, and political identities were rooted in cultural constructions of the pre-Conquest past.
files/i.png Icon
Price: £75.00
Pages: 224
Publisher: Medieval Institute Publications
Imprint: Medieval Institute Publications
Series: Early Drama, Art, and Music Monograph
Publication Date: 30 November 2017
ISBN: 9781580442794
Format: Hardcover
BISACs:

PERFORMING ARTS / Theater / General, History and Archaeology, LITERARY CRITICISM / Drama, HISTORY / General, SOCIAL SCIENCE / Archaeology, HISTORY / Europe / Renaissance, European history: Renaissance, Literary studies: plays and playwrights, Theatre studies

REVIEWS Icon

"In the context of Brexit, as the rethinking of Europe and its borders is very much part of an enterprise bound up with memory of conquest, empire, and independence, this is a book that will get students reading, critics thinking, and people talking." Willy Maley, University of Glasgow

 

Lisa Hopkins is Professor of English at Sheffield Hallam University. She is co-editor of Shakespeare, the journal of the British Shakespeare Association, and of the Arden Early Modern Drama Guides.

Introduction Part One: Legacies "Bisson Conspectuities": Language and National Identity in Shakespeare's Roman Plays Profit and Delight? Magic and the Dreams of a Nation "A Borrowed Blood for Brute": From Britain to England Part Two: Ancestors and Others Queens and the British History Dido in Denmark: Danes and Saxons on the Early Modern English Stage Valiant Welshwomen: When Britain Came Back Athelstan, the Virgin King Conclusion Works Cited