We're sorry. An error has occurred
Please cancel or retry.
From the Romans to the Normans on the English Renaissance Stage
Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
Couldn't load pickup availability
- Format:
-
30 November 2017

PERFORMING ARTS / Theater / General, History and Archaeology, LITERARY CRITICISM / Drama, HISTORY / General, SOCIAL SCIENCE / Archaeology, HISTORY / Europe / Renaissance, European history: Renaissance, Literary studies: plays and playwrights, Theatre studies
"In the context of Brexit, as the rethinking of Europe and its borders is very much part of an enterprise bound up with memory of conquest, empire, and independence, this is a book that will get students reading, critics thinking, and people talking." Willy Maley, University of Glasgow
Lisa Hopkins is Professor of English at Sheffield Hallam University. She is co-editor of Shakespeare, the journal of the British Shakespeare Association, and of the Arden Early Modern Drama Guides.
Introduction Part One: Legacies "Bisson Conspectuities": Language and National Identity in Shakespeare's Roman Plays Profit and Delight? Magic and the Dreams of a Nation "A Borrowed Blood for Brute": From Britain to England Part Two: Ancestors and Others Queens and the British History Dido in Denmark: Danes and Saxons on the Early Modern English Stage Valiant Welshwomen: When Britain Came Back Athelstan, the Virgin King Conclusion Works Cited