• Forms of faith
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Forms of faith

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This collection of essays opens a new perspective on the interplay of religious conflict and literary culture in early modern England. Focusing on negotiation instead of escalation, thirteen distin...
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  • 23 May 2017
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This book explores the role of literature as a means of mediating religious conflict in early modern England. Marking a new stage in the ‘religious turn’ that generated vigorous discussion of the changes and conflicts brought about by the Reformation, it unites new historicist readings with an interest in the ideological significance of aesthetic form. It proceeds from the assumption that confessional differences did not always erupt into hostilities but that people also had to arrange themselves with divided loyalties – between the old faith and the new, between religious and secular interests, between officially sanctioned and privately held beliefs. What role might literature have played here? Can we conceive of literary representations as possible sites of de-escalation? Do different discursive, aesthetic, or social contexts inflect or deflect the demands of religious loyalties? Such questions open a new perspective on post-Reformation English culture and literature.
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Price: £90.00
Pages: 264
Publisher: Manchester University Press
Imprint: Manchester University Press
Publication Date: 23 May 2017
ISBN: 9780719096815
Format: Hardcover
BISACs:

LITERARY CRITICISM / European / General, Literature: history and criticism, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh, RELIGION / General, RELIGION / Christianity / History, HISTORY / Europe / Renaissance, HISTORY / Modern / 16th Century, Literary studies: general, Religion: general
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‘The well-crafted essays in this interesting collection share the assumption that the diversity of communicative media in early modern culture—including literary genres, festive practices, and sacramental rituals—helped cultivate a generalized interest in imagining what the thought of “religious pluralization and its irenic potential” (p. 2) might look and feel like in an era officially marked by confessional strife.’
Professor Lowell Gallagher, Studies in English Literature

1. Introduction: A world of difference: religion, literary form, and the negotiation of conflict in early modern England – Jonathan Baldo and Isabel Karremann
Part I: Religious ritual and literary form
2. Shylock celebrates Easter – Brooke Conti
3. Protestant faith and Catholic charity: negotiating confessional difference in early modern Christmas celebrations – Phebe Jensen
4. Singing in the counter: goodnight ballads in Eastward Ho – Jacqueline Wylde
5. Romancing the Eucharist: confessional conflict and Elizabethan romances – Christina Wald
6. Edmund Spenser’s The Ruines of Time as a Protestant poetics of mourning and commemoration – Isabel Karremann
Part II: Negotiating confessional conflict
7. Letters to a young prince: confessional conflict and the origins of English Protestantism in Samuel Rowley’s When You See Me You Know Me (1605) – Brian Walsh
8. Tragic mediation in The White Devil – Thomas J. Moretti
9. ‘A deed without a name:’ evading theology in Macbeth – James R. Macdonald
10. Henry V and the interrogative conscience as a space for the performative negotiation of confessional conflict – Mary A. Blackstone
11. Formal experimentation and the question of Donne’s ecumenicalism – Alexandra M. Block
12. Foucault, confession, and Donne – Joel M. Dodson
Afterword: Reformed indifferently – Richard Wilson
Index