We're sorry. An error has occurred
Please cancel or retry.
Dancing in the English style
Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
Couldn't load pickup availability
- Format:
-
26 April 2017

HISTORY / General, History, PERFORMING ARTS / Dance / History & Criticism, HISTORY / Social History, HISTORY / Military / World War II, HISTORY / Europe / Great Britain / General, HISTORY / Modern / 20th Century, Social and cultural history, Dance
‘[…] this nuanced and well-researched study demonstrates the merits of using popular dance as a gateway into British social and cultural history.’
Laura Quinton, New York University, Twentieth Century British History, 2018
'Drawing upon a fascinating range of source material (including autobiographies, Mass Observation, and the trade press), she tackles a series of complex issues, and advances a number of intriguing, important, and convincing arguments.'
Canadian Journal of History
'Dancing in the English Style breaks new ground in many areas […and] is a detailed, well-written, and comprehensive account of its subject.'
Journal of British Studies
Introduction
1 Dancing mad! The modernisation of popular dance
2 Who makes new dances? The dance profession and the evolution of style
3 At the palais: the dance hall industry and the standardisation of experience
4 The dance evil: gender, sexuality and the representation of popular dance
5 English style: foreign culture, race and the Anglicisation of popular dance
6 Doing the Lambeth Walk: novelty dances and the commodification of the nation
7 Dancing democracy in wartime Britain
8 The ‘infernal jitterbug’ and the transformation of popular dance
Epilogue: Come dancing: popular dance in post-war Britain
Select bibliography
Index