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Critical games

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Critical Games is about the games we play, the ways we play them, and what happens when they get out of hand. With readings of a range of cultural texts, from the Ancient Greeks to contemporary aut...
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  • 17 June 2025
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Critical Games is about the games we play (whether we know it or not), the ways we play them (for fun, but also to win, and to gain approval from others), and what happens when they get out of hand. The book interrogates the theory of play and gaming, with a particular focus on the games played by literary authors and literary critics. Drawing on (often self-critical) autobiography, as well as readings in texts across a range of languages, Tim Beasley-Murray plays with academic conventions to highlight what is at stake in them, turning to the Game of Literature, from Kafka to Carrère, to seek models and warnings of the outcomes of taking games too seriously, or not taking them seriously enough.
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Price: £85.00
Pages: 272
Publisher: Manchester University Press
Imprint: Manchester University Press
Publication Date: 17 June 2025
ISBN: 9781526177773
Format: Hardcover
BISACs:

LITERARY CRITICISM / Books & Reading, Literary theory, LITERARY CRITICISM / Subjects & Themes / General, PHILOSOPHY / General, Literature: history and criticism, Philosophy

REVIEWS Icon

‘It is unusual - perhaps even shocking - to write in praise of a book in which you are one of the characters. But this book is itself so unusual that I feel authorised to commit this transgression. In its exploration of literary works, writers’ poses, and what one can say about them, Critical games marries deep seriousness with a playfulness whose vivacity sometimes borders on perversity - and I know what I am talking about. Constantly personal and unpredictable, this book explodes all academic frames and expectations. One reads it with growing curiosity, occasionally with a touch of irritation, but always with the greatest pleasure.’
Emmanuel Carrère

‘This sui generis book takes us on a panoramic, topsy-turvy tour of the manifold ways that seriousness and play, wisdom and folly, are not stable opposites but intimate, entangled neighbors. This “amphibian” quality helps to define literature, but also the study of literature. In a playful and yet deeply serious turn, Beasley-Murray levels his wise-foolish, Socratic glance not just on a vast array of cultural texts but on academic life itself. The results will be revealing, and likely inspiring, for any curious reader – leaving us with a pair of dialectical spectacles, or 3D glasses, with which to gaze at the textual worlds around us, and at our own gazing selves.’
Alex Woloch, Stanford University

‘Something serious, very serious, something that we usually call literary criticism is here at play, at play in that most playful of forms, the essay, allowing, as it does here, for anecdote, memoir, digression, epigram, and even fiction. This, then, is a book where criticism takes a holiday, a holiday that may yet prove almost to have been a holy-day, a day where to play is also to pray.’
John Schad, University of Lancaster

Introduction
Part I: The game of academia
1. ‘The most glorious kind of play’
2. The Slovene art theorist and Abraham the Inuk
3. Learning to play critical games (an autobiographical sketch)
4. What is at stake
5. ‘Back to life, back to reality’
Part II: The game of literature
6. Literary play
7. Fictional games that get out of hand
8. Pacts and power
9. How writing intervenes in life
Part III: End game
10. Playing games with Emmanuel Carrère
Conclusion: final whistle
Index