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Courting Disaster

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04 November 2025

What do #MeToo and Jane Austen have in common? More than you might think.
Ever since the novel was invented, women have used it as a platform for sharing ideas about sexual consent. Dr Zoë McGee reveals how Jane Austen, Frances Burney and their now-overlooked contemporaries used their stories to try to change society’s mind about rape culture – and to reassure survivors they were not alone.
Courting Disaster takes a timely deep-dive into a series of classic novels, comparing them with both historic court records and current events to show that our arguments about consent are not a new phenomenon. With the wit and wryness of a courtship novel, McGee reads between the lines to unveil a quiet feminist movement that still resonates today. Because every novel about marriage is also a novel about consent.
In an era that’s clamouring for a return to the values of the past, Courting Disaster asks what that would really mean, and whether anyone actually liked it back then anyway…

LITERARY CRITICISM / Feminist, Literature: history and criticism, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh, LITERARY CRITICISM / Modern / 18th Century, LITERARY CRITICISM / Modern / 19th Century, Feminism and feminist theory

Introduction
Part I: Consent
1 Clarissa, or the perfect victim myth
2 Cecilia, or credit and credibility
3 Jane Doe, or misreading the room
Part II: Innocence
4 Ophelia, or resisting the unknown
5 Camilla & Eugenia, or what you don't know can hurt you *
6 Evelina, or the value of virginity
Part III: Violence
7 Anon., or the context of the court room
8 Judith, Mary, Mary, Ann, or testimony
9 Mary, or a right to exist
10 Theodora & Dorothea, or the bystander effect
Part IV: Marriage
11 Elinor, or honouring engagements
12 Fanny, or the price of refusal
13 Anne, or negotiating the future
Conclusion
Index