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A Semiotic of Ethnicity

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Reexamines the notion of the "hyphenate writer," and offers a specific reading strategy that we may consider the Italian/American writer in the age of semiotics, poststructuralism, and the like.Usi...
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  • 11 September 1998
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Reexamines the notion of the "hyphenate writer," and offers a specific reading strategy that we may consider the Italian/American writer in the age of semiotics, poststructuralism, and the like.

Using semiotics as a theoretical foundation, this book reexamines the notion of the hyphenate writer. It argues for an analogous set of categories no longer chronologically or generationally based, but cognitively based, so that the traditionally considered "first-stage" or first-generation hyphenate writer now figures as an "expressive" writer who is not necessarily part of the immigrant or first American-born generations. He or she may actually belong to a later generation and write about his or her ethnicity with those characteristics more readily associated with the first-stage hyphenate writer.

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Price: £25.00
Pages: 176
Publisher: State University of New York Press
Imprint: SUNY Press
Series: SUNY series in Italian/American Culture
Publication Date: 11 September 1998
ISBN: 9780791439166
Format: Paperback
BISACs:

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"Tamburri makes crucial connections among the various generations of Italian/American writers, that, while rooted in the most authoritative scholarship, also provoke us to 'look forward' as to how we might see Italian/American literature in the future. Tamburri's work opens doors to an understanding of Italian/American literature that university students and other students in the field should pass through." — Justin Vitiello, Temple University

"This book brings to our literary attention writers not often discussed, and it considers them within the larger domain of ethnic subcultures in relation to a 'dominant' American culture." — Joseph Natoli, author of Speeding to the Millennium: Film and Culture 1993-1995

Preface

Acknowledgments


Part I. New Strategies


1. In (Re)cognition of the Italian/American Writer: Definitions and Categories


Part II. New Readings


2. Tony Ardizzone's "Expressive" Evening News
3. Helen Barolini's "Comparative" Umbertina: The Italian/American Woman
4. Giose Rimanelli's "Synthetic" Benedetta in Guysterland: A "Liquid" Novel of Questionable Textual Boundaries


Part III. Further Readings


5. Looking Back: The Image of Italy in Umbertina
6. Gianna Patriarca's "Tragic" Thought: Italian Women and Other Tragedies
7. Italian/American Writer or Italian Poet Abroad?: Luigi Fontanella's Poetic Voyage


Part IV. Further Strategies


8. Italian/American Cultural Studies: Looking Forward


Notes


Select Bibliography


Index