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Wonder

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Synthesizes the most important recent work on wonder and brings a number of disciplines into conversation.Wonder has been celebrated as the quintessential passion of childhood. From the earliest st...
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  • 01 May 2015
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Synthesizes the most important recent work on wonder and brings a number of disciplines into conversation.

Wonder has been celebrated as the quintessential passion of childhood. From the earliest stages of our intellectual history, it has been acclaimed as the driving force of inquiry and the prime passion of thought. Yet for an emotion acknowledged so widely for the multiple roles it plays in our lives, wonder has led a singularly shadowy existence in recent reflections. Philosophers have largely passed it over in silence; emotion theorists have shunned it as a case that sits awkwardly within their analytical frameworks. So what is wonder, and why does it matter? In this book, Sophia Vasalou sketches a "grammar" of wonder that pursues the complexities of wonder as an emotional experience that has carved colorful tracks through our language and our intellectual history, not only in philosophy and science but also in art and religious experience. A richer grammar of wonder and broader window into its past can give us the tools we need for thinking more insightfully about wonder, and for reflecting on the place it should occupy within our emotional lives.

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Price: £72.50
Pages: 296
Publisher: State University of New York Press
Imprint: SUNY Press
Publication Date: 01 May 2015
Trim Size: 9.00 X 6.00 in
ISBN: 9781438455532
Format: Hardcover
BISACs:

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"Vasalou's book is an important and exciting contribution to the literature. It is not a narrow academic inquiry on an obscure topic, but a sweeping exploration of an emotion that was once recognized as among the most important. Vasalou makes a powerful case for wonder and her book will spark great interest." — Jesse Prinz, author of Beyond Human Nature: How Culture and Experience Shape the Human Mind

"This is a powerful study of wonder, whose major strengths include its engagement of overlooked primary sources (in particular, Adam Smith and Zorba the Greek), its exhaustive treatment of the secondary literature, and its careful attunement to historical complexities." — Mary-Jane Rubenstein, author of Strange Wonder: The Closure of Metaphysics and the Opening of Awe

Acknowledgments
Introduction

WONDER: An Emotion Unlike Others?

Doubting Wonder
Knowing Wonder

DELIGHT: Histories of Wonder between the Rainbow and the Harpies

Telling Wonder (I): Consequence
Telling Wonder (II): Concomitance
Short Tales from Wonder’s Ethical Past
The End of Wonder?

SUDDEN: On Seeing the Extraordinary; or: On the Different Ways of Being Struck

Wonder Striking
Stoking Wonder

PRODUCES: Practices of Wonder

Wonder as Doing, as Practice of Speech
Wonder as Doing, as Self-Undoing, as Aesthetic Conquest
Wonder as Doing, as Philosophical Ascent, as Askensis

OBJECT: Why Wonder?

Wonder as Stimulus: the Ethics of Inquiry
Wonder as Judgment: The Ethics of Sight
Wonder Judging Wonder: Sight as Self-Knowledge

Notes
Bibliography