• The new Bergson
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The new Bergson

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Henri Bergson, central to European philosophy at the beginning of the C20th, is returning to that position at the beginning of the C21st. Bergson's legacy reaches across the disciplines of philosop...
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  • 24 March 2006
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Henri Bergson, central to European philosophy at the beginning of the C20th, is returning to that position at the beginning of the C21st. Bergson's legacy reaches across the disciplines of philosophy, humanities and the arts, and has especial relevance for recent film and video studies (in the area of time, change and difference). This collection includes an original essay by Gilles Deleuze, translated into English for the first time. Hugely impressive international cast including not only Deleuze, but also Worms, Gunter, Ansell Pearson and Timothy S. Murphy. The first in the acclaimed Angelaki Humanities series.
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Price: £19.99
Pages: 256
Publisher: Manchester University Press
Imprint: Manchester University Press
Series: Angelaki Humanities
Publication Date: 24 March 2006
ISBN: 9780719055539
Format: Paperback
BISACs:

LITERARY CRITICISM / European / General, Philosophy, PERFORMING ARTS / Film / History & Criticism, Literature: history and criticism
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Introduction
Part I History and Method
1. Philo, Spinoza, Bergson: The rise of an ecological age - Richarrd A. Cohen
2. Method in Philosophy - Garrett Barden
Part II Ontology
3. Bergson's Conception of Difference - Gilles Deleuze
4. Beneath Relativity: Bergson and Bohm on absolute time - Timothy S. Murphy
Part III Mind
5. A Letter from Bergson to Dewey -
6. Matter and memory on mind and body: final statements and new perspectives - Frédéric Worms
7. Bergson: The keyboards of forgetting - Marie Cariou
8. Bergson's concept of a person - Eric Matthews
9. Magic - F.C.T. Moore
Part IV Life
10. Bergson and creative evolution/Involution: Exposing the transcendental illusion of organismic life - Keith Ansell Pearson
11. Bergson and the war against nature - P.A.Y. Gunter
Part V Art
12. The rhythms of duration: Bergson and the Art of Matisse - Mark Antliff
13. Bergson and cinema: Friends or foes? - Paul Douglass