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The Multisensory Film Experience

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When the lights dim in a movie theatre and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-...
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  • 15 June 2016
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When the lights dim in a movie theatre and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, The Multisensory Film Experience analyses temperature, pain and balance in order to argue that it is the experience of film that’s inherently multisensory, not the medium. Luis Rocha Antunes here explores the work of well-loved filmmakers Erik Jensen, Gus Van Sant and Ki-Duk Kim to offer new insights into how viewers experience films and understand their stories. This is an original contribution to an emerging field of research and will become essential reading for film scholars.
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Price: £32.95
Pages: 218
Publisher: Intellect Books
Imprint: Intellect Books
Publication Date: 15 June 2016
Trim Size: 9.00 X 7.00 in
ISBN: 9781783206285
Format: Paperback
BISACs:

ART / General, Film history, theory or criticism, ART / Film & Video, PHILOSOPHY / General, Filmmaking and production: technical and background skills

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'The Multisensory Film Experience is so insightful and interesting—an academic page-turner.' 

Foreword by Michael Grabowski


Acknowledgements 


Chapter 1: The Multisensory Film Experience, Experiential Film Aesthetics, Cinema and the Senses


Chapter 2: The Vestibular in Film: Orientation and Balance in Gus Van Sant’s Cinema of Walking


Chapter 3: Nociception in Film: A Cinematic Account of Ki-Duk Kim’s Aesthetics of Pain


Chapter 4: Thermoception in Film: Knut Erik Jensen’s Experiential Aesthetics of Cold


Chapter 5: Conclusion 


Bibliography 


Filmography