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'…shows the reader that engagement with the particularities of medium can lead to the richest of interpretations.'
Renaissance Quarterly
'The Matter of Art is a volume of superb interdisciplinary criticism thoughtfully organized and presented in as compact and accessible form as could possibly be expected for all it achieves.'
Sixteenth Century Journal
Part I:Matter
1. The matter of the medium: some tools for an art-theoretical interpretation of materials – Ann-Sophie Lehmann
2. The matter of ideas in the working of metals in early modern Europe – Pamela H. Smith
3. On the origins of European painting materials, real and imagined – Anne Dunlop
4. Gold coins and gold leaf in early Italian paintings – Irma Passeri
Part II: Practices
5. The ‘Genealogy of Jean le Blanc’: accounting for the materiality of the medieval Eucharist – Aden Kumler
6. Lead white’s mysteries – Spike Bucklow
7. Material distinctions: plaster, terracotta and wax in the Renaissance artist’s workshop – Eckart Marchand
8. Rocks and reverence: Inka and Spanish perceptions of stonework in the early modern Andes – Carolyn Dean
Part III: Cultural logics
9. Precious stones, material beings: performative materiality in fifteenth-century northern art – Brigitte Buettner
10. Carving life: the meaning of wood in early modern European sculpture – Christina Neilson
11. Arti povere, 1300–1650 – Michael Cole
12. Polish stone, Venetian glass, and red Hungarian marble: the materials of a Renaissance chapel in Jagiellonian Poland – Katie Jakobiec
13. Reveal or conceal: chopines and the display of material wealth in early modern Valencia and Venice – Elizabeth Semmelhack
14. Entanglements of body, text and stone: the crafting and connoisseurship of inkstones in eighteenth-century China – Dorothy Ko
Index