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The Marked Body

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Discusses portrayals of domestic violence in six major works of mid-nineteenth-century literature.The ambiguities and paradoxes of domestic violence were amplified in Victorian culture, which empha...
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  • 01 August 2002
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Discusses portrayals of domestic violence in six major works of mid-nineteenth-century literature.

The ambiguities and paradoxes of domestic violence were amplified in Victorian culture, which emphasized the home as a woman's place of security. In The Marked Body, Kate Lawson and Lynn Shakinovsky examine the discarded and violated bodies of middle-class women in selected texts of mid-nineteenth-century fiction and poetry. Guided by observations from feminism, psychoanalysis, and trauma theory, they argue that, in these works, domestic violence is a crucible in which the female body is placed, where it becomes marked by scars and disfigurement. Yet, they contend, these wounds go beyond violence to bring these women to a broader state of female subjectivity, sexuality, and consciousness. The female body, already the site of alterity, is inscribed with something that cannot be expressed; it thus becomes that which is culturally and physically denied, the place which is not.

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Price: £72.50
Pages: 212
Publisher: State University of New York Press
Imprint: SUNY Press
Publication Date: 01 August 2002
Trim Size: 9.00 X 6.00 in
ISBN: 9780791453759
Format: Hardcover
BISACs:

REVIEWS Icon

"Extremely well researched and well written, this book melds an intelligent reading of imagery and story with a nuanced theoretical framework, a good sense of historical context and social history, and a genuine concern for domestic violence against women in the nineteenth century. I find this book very illuminating." — Joseph Adamson, coeditor of Scenes of Shame: Psychoanalysis, Shame, and Writing

"This reading of domestic violence, which is 'behind the scenes' in several senses, is intellectually important, and speaks to a wide variety of issues in Victorian studies, feminism, legal studies, and psychoanalysis." — Randall Craig, author of Promising Language: Betrothal in Victorian Law and Fiction

ACKNOWLEDGMENTS

INTRODUCTION


1 "A FRIGHTFUL OBJECT"
Romance, Obsession, and Death in Nathaniel Hawthorne's "The Birth-Mark"


2 DOMESTIC VIOLENCE, ABJECTION, AND THE COMIC NOVEL
Anthony Trollope's Barchester Towers


3 VIOLENCE, CAUSALITY, AND THE "SHOCK OF HISTORY"
George Eliot's "Janet's Repentance"


4 "THE SINS OF THE FATHER" AND "THE FEMALE LINE"
Phantom Visitations and Cruelty in Elizabeth Gaskell's "The Poor Clare"


5 RAPE, TRANSGRESSION, AND THE LAW
The Body of Marian Erle in Elizabeth Barrett Browning's Aurora Leigh


6 "WILL SHE END LIKE ME?"
Violence and the Uncanny in Wilkie Collins's Man and Wife


CONCLUSION


NOTES


WORKS CITED


INDEX