The road movie is one of the most tried and true genres, a staple since the earliest days of cinema. This book looks at the road movie from a wider perspective than ever before, exploring the motif of travel not just in American films—where it has been most prominent—but via movies from other nations as well. Gathering contributions from around the world, the book shows how the road movie, altered and refracted in every new international iteration, offers a new way of thinking about the ever-shifting sense of place and space in the globalized world.
Through analyses of such films as Guantanamera (Cuba), Wrong Side of the Road (Australia), Five Golden Flowers (China), Africa United (South Africa), and Sightseers (England), The Global Road Movie enables us to think afresh about how today’s road movies fit into the history of the genre and what they can tell us about how people move about in the world today.
'In addition to this eclectic focus on Asia, other sections consider the road movies of The Americas, Africa and Europe, issues as wide-ranging as the thawing of US–Cuban relations, the debate about Afropolitanism in representations of Africa and the traces of Romanticism found in the contemporary British road movie. In their introduction, Corrigan and Duarte state that "there is perhaps no film culture across the globe that has not embraced the road movie". The diversity of contributors, approaches and films discussed in The Global Road Movie goes some way towards proving this claim.'
Introduction: From American Roads to Global Highways
Timothy Corrigan and José Duarte
Section 1: The Americas
Chapter 1: Learning to Drive: Midcentury Guidance Films and the Middle-of-the-Road Politics of the American Road Movie by Devin Orgeron
Chapter 2: The Colombian Road Movie: Uses and Abuses of a Film Genre by Jamie Correa
Chapter 3: Notes on a Journey from Guantánamo to Havana: Guantanamera Revisited as Winds of Change Hit US-Cuba Relations by Hermínia Sol
Section 2: Africa
Chapter 4: Departing from Anti-Colonialism, Arriving at Afropolitanism: Africa United as an African Road Movie by James M. Hodapp
Chapter 5: The Road and Transatlantic Currents in the Cinema of Licínio Azevedo by Sara Brandellero
Section 3: Asia and Australia
Chapter 6: The Palestinian Road(block) Movie: Interrupted Journeys in Elia Suleiman’s Divine Intervention by Drew Paul
Chapter 7: Song of the Big Road: Negotiating Scale in the Road Films of Twenty-First-Century India by Lars Erik Larson
Chapter 8: Provincializing the Road Movie: Realism, Epic and Mobility in Ritwik Ghatak’s Ajantrik by Moira Weigal
Chapter 9: Navigating Gender, Ethnicity and Space: Five Golden Flowers as a Socialist Road Movie by Ling Zhang
Chapter 10: Genre at a Crossroads: The Korean Road Movie by Joseph Pomp
Chapter 11: Wrong Side of the Road: Crossing Cultures, Traversing Forms and the Blackfella Road Movie by Keith Beattie
Section 4: Europe
Chapter 12: Et in Arcadia Ego: Precarious Romaniticism and the English Road Movie by Neil Archer
Chapter 13: Bumps on the ‘Road to Europe’: Remaking the Road Movies and Re-mapping the Nation in Post-2004 Central Europe by Micheal Gott and Kris Van Heuckelom
Chapter 14: The Road Movie in Portuguese Cinema by Filipa Rosário
Notes on Editors
Notes on Contributors