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The Cinema of Mika Kaurismäki

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Finnish director Mika Kaurismäki’s films challenge the boundaries of nations, genre formations, art and popular culture and fiction and documentary. Synthesizing concepts from thematic frameworks, ...
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  • 15 March 2011
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Mika Kaurismäki’s films challenge many boundaries – national societies, genre formations, art/popular culture, fiction/documentary, humanity/nature and problematic distinctions between different zones of development. Synthesizing concepts from a range of thematic frameworks – e.g. auteurism, eco-philosophy, genre, cartography, cineaste networks, global reception, distribution and exhibition practices, and the potential of postnationalism – this book provides an interdisciplinary reading of Kaurismäki’s cinema. The notion of 'transvergence' – thinking in heterogeneous and polyphonal terms – emerges as an analytical method for exploring the power of these films. Through this method, the book encourages a rethinking of transnational cinema studies in relation to many oft-debated notions such as Finnish culture, European identity, cosmopolitanism and globalization.

A PDF version of this book is available for free in open access via the OAPEN Library platform: The Cinema of Mika Kaurismaki. It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.

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Price: £28.95
Pages: 208
Publisher: Intellect Books
Imprint: Intellect Books
Publication Date: 15 March 2011
Trim Size: 9.00 X 7.00 in
ISBN: 9781841504094
Format: Paperback
BISACs:

ART / History / General, Society and culture: general, PERFORMING ARTS / Film / General, ART / General, Films, cinema, Individual film directors, film-makers

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Introduction: The (trans)national and the Global in Mika Kaurismäki’s Films
 
Chapter 1: The Aki/Mika Syndrome: Cosmopolitan Auteurism and the Search for Cinematic Stability
 
Chapter 2: Cross-genre: Transnational Genre Mutations
 
Chapter 3: Mapping Transnational Space at the Margins of the Global Metropolis: Representations of the City in Kaurismäki’s Films
 
Chapter 4: Post-road: Deconstructing the European Road Movie
 
Chapter 5: Auto-ethnography: Merging the Self and 'Other' in Brazilian Music Documentaries
 
Chapter 6: Post-nation: Kaurismäki’s Films in a Global Spectrum
 
Chapter 7: The Potential of Post-humanism: Kaurismäki and the Ecological Imagination
 
Chapter 8: The Polyphonality of Transvergence: The Reception of Kaurismäki’s Cinema
 
Conclusion: Beyond the Happy Ending