• The Bible onscreen in the new millennium
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The Bible onscreen in the new millennium

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With contributions from major scholars such as Mikel J. Koven and Martin Stollery, and a preface by Adele Reinhartz, this collection looks at the new wave of Biblical adaptations from The Passion o...
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  • 17 January 2020
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The remarkable commercial success of Mel Gibson’s The Passion of the Christ in 2004 came as a surprise to the Hollywood establishment, particularly considering the film’s failure to find production funding through a major studio. Since then the Biblical epic, long thought dead in terms of mainstream marketability, has become a viable product. This collection examines the new wave of the genre, which includes such varied examples as Darren Aronofsky’s Noah (2014) and Ridley Scott’s Exodus: Gods and Kings (2014), along with the telenovelas of Latin America. Such texts follow previous traditions while appearing distinct both stylistically and thematically from the Biblical epic in its prime, making academic consideration timely and relevant. Featuring contributions from such scholars as Mikel J. Koven, Andrew B. R. Elliott and Martin Stollery, and a preface from Adele Reinhartz, the book will be of interest to students and scholars of film, television and religion.
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Price: £85.00
Pages: 304
Publisher: Manchester University Press
Imprint: Manchester University Press
Series: Manchester University Press
Publication Date: 17 January 2020
ISBN: 9781526136572
Format: Hardcover
BISACs:

PERFORMING ARTS / Film / History & Criticism, Film history, theory or criticism, PERFORMING ARTS / Film / Genres / General, Film: styles and genres
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Wickham Clayton is Lecturer in Film Production at the University for the Creative Arts, Farnham

Introduction – Wickham Clayton
Part I: Producing biblical film and television
1 Battles over the biblical epic: Hollywood, Christians and the American Culture Wars – Karen Patricia Heath
2 Depicting ‘biblical’ narratives: a test case on Noah – Peter Phillips
3 Special effects and CGI in the biblical epic film – Andrew B. R. Elliott
4 The phenomenon of biblical telenovelas in Brazil and Latin America – Clarice Greco, Mariana Marques de Lima and Tissiana Nogueira Pereira

Part II: Modern narratives and contexts in adapting the Bible
5 Mythic cinema and the contemporary biblical epic – Mikel J. Koven
6 The Nativity reborn: genre and the birth and childhood of Jesus – Matthew Page
7 Convince me: conversion narratives in the modern biblical epic – Chris Davies

Part III: Critical readings and receptions
8 Controversy and the ‘Culture War’: exploring tensions between the secular and the sacred in Noah, the ‘least biblical biblical movie ever’ – Becky Bartlett
9 ‘Can anything good come out of Southern California?’* (*hyperlink to John 1:46): the Christian critical reception of elliptical Jesus narratives – Wickham Clayton
10 Examining the digital religion paradigm: a mixed-method analysis of online community perception of epic biblical movies – Gregory P. Perreault and Thomas S. Mueller

Part IV: Culture and representation
11 The devil and the Culture Wars: demonising controversy in The Last Temptation of Christ and The Passion of the Christ – Karra Shimabukuro
12 Ben-Her(?): soft stardom, melodrama and the critique of epic masculinity in Ben-Hur (2016) – Thomas J. West III
13 The biblical-trial film: social contexts in L’Inchiesta and Risen – Fernando Gabriel Pagnoni Berns and Emiliano Aguilar
14 ‘Squint against the grandeur’: iconoclasm and film genre in The Passion of the Christ and Hail, Caesar! – Martin Stollery

Filmography
Index