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SHORTLISTED FOR THE INTERNATIONAL PRIZE FOR ARABIC FICTION
An intimate and remarkably human novel of modern Iraq
Displaced by the sectarian violence in the city, Maha and her husband are taken in by a distant cousin, Youssef. As the growing turmoil around them seeps into their household, a rare argument breaks out between the elderly Youssef and his young guest. Born into sanctions and war, Maha knows nothing of Iraq's good years that Youssef holds dear.
Set over a single day, The Baghdad Eucharist is an intimate story of love, memory, and anguish in one Christian family.
"[Antoon] faithfully reproduces the difficult conversations between an Iraqi Christian family housed in Baghdad while the daily scenes of carnage are painfully recounted."—The Guardian
"A beautiful text, a testimony of the time of mud and blood that besieges Iraq and the Arab East . . . in very moving language, this Iraqi novelist writes his country with the ink of pain."—Elias Khoury, author of Gate of the Sun
"A novel about Iraqi agony. Iraq's history is condensed and elegantly portrayed."—Al-Jazeera
"Shines a valuable light on conflict that has been triggered from wrongheaded political decisions"—The National
"[A] panoramic view of Iraq, its history, its iconography and its bitter present. . . Antoon is fast becoming not only the voice of disaffection of modern Iraq, but one of the most acclaimed authors of the Arab world."—Al-Ahram Weekly
"The first novel to broach the tragedy of Iraqi Christians. . . narrating Iraq's wounds in a beautiful language."—as-Safir
"Maia Tabet's skilled translation gives Anglophone readers access to a brutal yet beautiful novel which offers two striking takes on one city from members of an Iraqi Christian family. . . . The Baghdad Eucharist is a short read but one that lingers long in the mind . . . Antoon entrances with both his lavish set-pieces and tight thumbnail sketches. [He] has crafted a novel of rare brilliance which highlights the divisions within a family and their struggles within their city."—Malcolm Forbes, The National