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Studies in the History of Italian Art 1250-1550

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Bruce Cole's extensive work in Italian art of the 14th and 15th centuries is highlighted, with monographs on Giotto, Masaccio, Piero della Francesca and Agnolo Gaddi. The book compiles 35 of his pa...
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  • 31 December 1996
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Professor Cole has written extensively over the last twenty years on Italian art of the fourteenth and fifteenth centuries, with monographs published on Giotto, Masaccio and Piero della Francesca, and a standard work on Agnolo Gaddi. He is co-editor of the Corpus of Early Italian Paintings, now in preparation.

This book brings together thirty-five of Professor Cole's papers and reviews. They include studies of the great figures of trecento and quattrocento Tuscan art, reconstructions and rediscoveries of works from the period, catalogues of Italian works of art in American collections, and reviews of new and standard works in the field.
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Price: £75.00
Pages: 443
Publisher: Pindar Press
Imprint: Pindar Press
Publication Date: 31 December 1996
ISBN: 9780907132929
Format: Hardcover
BISACs:

ART / History / Renaissance, History of art

REVIEWS Icon
Preface

The Interior Decoration of the Palazzo Datini in Prato

A Madonna Panel from the Circle of the Early Duccio

A New Work by the Master of the Arte della Lana Coronation

A Reconstruction of Masolino's True Cross Cycle in Santo Stefano, Empoli

Three New Works by Cenni di Francesco

A New Work by the Young Lorenzo di Niccolò

Masaccio, Lippi or Hugford?

A Giottesque Crucifix in San Pietro in Monticelli

On an Early Florentine Fresco

Another Look at Giotto's Stigmatization of Saint Francis

Richard Offner and Modern Trecento Scholarship

Giovanni Lami's Dissertazione Old and New in the Early Trecento

Il Cristo in pietà - Un Taddeo di Bartolo trascurato

Giotto's Apparition of St. Francis at Arles: The Case of the Missing Crucifix?

A Popular Painting from the Early Trecento

Some Discoveries in the Cappella Maggiore in Santa Croce, Florence

Ruskin at Assisi

Some Sinopie by Taddeo Gaddi Reconsidered

Taddeo Gaddi, Giotto, and Assisi

A New Niccolò di Buonaccorso

Italian Maiolica from Midwestern Collections

Morelli, Mea, and Giotto

Some Thoughts on Orcagna and the Black Death Style

Painting After Mid-Century

The Last Quarter of the Trecento

Virtues and Vices in Giotto's Arena Chapel Frescoes

Titian and the Idea of Originality in the Renaissance

R. Offner and K. Steinweg, Giovanni del Biondo (Corpus of Florentine Painting)

R. Oertel, Early Italian Painting to 1400

M. Lavin, Piero della Francesca: The Flagellation

H.W. van Os and M. Prakken, The Florentine Paintings in Holland

B. Fredericksen and F. Zeri, Census of Pre-Nineteenth-Century Italian Painting in North American Public Collections

A. Smart, The Dawn of Italian Painting

J. Hook, Siena: A City and Its History

Additional Notes

Index