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"Studies in Iconography" is an annual journal hosted by the Index of Medieval Art and published in partnership with Medieval Institute Publications. It presents innovative work on the meaning of images from the medieval world broadly construed, between the fourth century to the year 1600. Past articles have addressed subjects as diverse as Byzantine fresco programs, Carolingian architectural diagrams, Gothic rent books, Jewish ritual images, and Islamicate stucco ornament. We encourage article submissions that offer interdisciplinary, theoretical, or critical perspectives. Works of both established and emerging scholars are welcome. Reviews of selected books on iconography and art history are included in every volume.
MIP also publishes the journal's associated book series, Studies in Iconography: Themes and Variations.
MIP also publishes the journal's associated book series, Studies in Iconography: Themes and Variations.
Price: £37.50
Pages: 278
Publisher: Medieval Institute Publications
Imprint: Medieval Institute Publications
Series: Studies in Iconography Journal
Publication Date:
01 April 2016
ISBN: 9781580442978
Format: Paperback
BISACs:
Articles
Elisa A. Foster. Out of Egypt: Inventing the Black Madonna of Le Puy in Image and Text
Andrew W. Klein. Cartographic Imaginings: Mapping Anglo-Scottish Existence in the Late Middle Ages
Malgorzata Krasnod?bska-D'Aughton. Piety, Penance, and the Passion of Christ: The Iconographic Program of the Franciscan Friary at Ennis, Ireland
Judith Oliver. Christmas Lessons in Word and Image in the Douce Homilary
Anna Russakoff. Portraiture, Politics, and Piety: The Royal Patronage of Gautier de Coinci's Miracles de Nostre Dame (Paris, BnF, MS nouv. acqu. fr. 24541)
Adam R. Stead. Seeing Christ: The Groß St. Martin Evangelistary and Monastic Image-Making in Thirteenth Century Cologne
Reviews
Michele Bacci. The Many Faces of Christ: Portraying the Holy in the East and West, 300 to 1300. By Leslie Brubaker
Zainab Bahrani. The Infinite Image: Art, Time and the Aesthetic Dimension in Antiquity. By Marian H. Feldman
Spike Bucklow. The Riddle of the Image: The Secret Science of Medieval Art. By Alison Stones
Vittoria Camelliti and Allessia Trivellone, eds. Un Medioevo in lungo e in largo. Da Bisanzio all'occidente (VI-XVI secolo). Studi per Valentino Pace. By Nino Zchomelidse
Marcia B. Hall and Tracey E. Cooper, eds. The Sensuous in the Counter-Reformation Church. By Benjamin Paul
Christian Heck, ed. Thèmes religieux et thèmes profanes dans l'image médiévale: transferts, emprunts, oppositions. By Kirk Ambrose
Penny Howell Jolly. Picturing the "Pregnant" Magdalene in Northern Art, 1430-1550: Addressing and Undressing the Sinner-Saint. By Diane Apostolos-Cappadona
Anne Kirkham and Cordelia Warr, eds. Wounds in the Middle Ages. The History of Medicine in Context Series. By Jennifer Borland
Marilyn Aronberg Lavin. An Allegory of Divine Love: The Netherlandish Blockbook Canticum Caticorum. By Donald F. Duclow
Jerome Nada, S.J. Annotations and Meditations on the Gospels. Cumulative Index. By Larry Silver
Minou Schraven. Festive Funerals in Early Modern Italy: The Art and Culture of Conspicuous Commemoration. By Steven F. Ostrow
Christine Ungruh. Das Bodenmosaik der Kathedrale von Otranto (1163-1165): Normannische Herrscherideologie als Endzeitvision. By Beat Brenk
Nono Zchomelidse. Art, Ritual and Civic Identity in Medieval Southern Italy. By Dorothy F. Glass