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Russian Orientalism in a global context
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25 February 2025

ART / Criticism & Theory, History of art, ART / Russian & Former Soviet Union, HISTORY / Modern / 18th Century, HISTORY / Modern / 19th Century, HISTORY / Modern / 20th Century
‘An ambitious volume that advances at an urgent moment our understanding of the imperial matrices within which Orientalist art emerged.’
Rosalind P. Blakesley, The Russian Review
‘The volume demonstrates the importance of Russian and Slavic studies to postcolonial approaches to art history.’
Kamran Karimullah, The Muslim World Book Review
Foreword: Accounting for human diversity: the experience of Imperial Russia
Vera Tolz
Introduction
Maria Taroutina
1 Western or non-Western? The case of Russian art
Allison Leigh
2 Perceptions of China and Russian chinoiserie under Empress Elisabeth Petrovna
Ekaterina Heath and Jennifer Milam
3 “The picturesque Caucasus” of Grigorii Gagarin and Vasilii Timm
Andrew M. Nedd
4 From the Alhambra to St. Petersburg: Karl Rakhau’s orientalizing interiors
Katrin Kaufmann
5 The Orient estranged: Vasilii Vereshchagin’s Blowing from Guns in British India
John Webley
6 The man in the purple coat: art and empire in Ilia Repin’s Reception of Volost Elders
Nikita Balagurov
7 How the Orient was Russianized: texts, images, and the popular imagination from Eruslan Lazarevich to Ruslan and Liudmila
Hanna Chuchvaha
8 From Zen Buddhism to the “zero of form”: exoticism, mysticism, and the East in Kazimir Malevich’s early works
Maria Taroutina
9 Pavel Kuznetsov’s “distant and strange” agricultural laborers
Marie Gasper-Hulvat
10 Soviet propaganda posters and Islamic art: mobilizing artistic heritage in 1920s Uzbekistan
Mollie Arbuthnot
Afterword: Peripheral horizons: Russian Orientalism in a global context
Mary Roberts
Index