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Robert Guédiguian

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Considers Guédiguian's career, both as a filmmaker and producer, as a valid response to a crisis in post-Communist Leftist political movements in France
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  • 20 March 2017
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Intervening at the crossroads of philosophy, politics, and cinema, this book argues that the career of Robert Guédiguian, director of Marius et Jeannette (1997) and other popular auteurist films, can be read as an original and coherent project: to make a committed, historically-conscious cinema with friends, in a local space, and over a long period of time. Illustrated with comprehensive readings of all of Guédiguian's films.
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Price: £85.00
Pages: 168
Publisher: Manchester University Press
Imprint: Manchester University Press
Series: French Film Directors Series
Publication Date: 20 March 2017
ISBN: 9780719096471
Format: Hardcover
BISACs:

PERFORMING ARTS / Film / History & Criticism, Film history, theory or criticism, PERFORMING ARTS / Film / Direction & Production, PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts), Individual film directors, film-makers

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‘With the excellence of his scholarship, his judicious but accessible use of theory, his thorough knowledge of context and his careful eye for detail, Mai has written a book that will be a key reference on the director for years to come.’
Martin O’Shaughnessy, Nottingham Trent University, H-France Review, Vol. 18 (January 2018), No. 24

1. Living with friends
2. Fragile friendships: films of the 1980s
3. Crossing every barrier: the decade of the conte de l'Estaque
4. Themes and variation: films since 2000
5. Conclusion: another cinema - a project in time
Filmography
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