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Risking Difference

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Looks at the dynamics of identification, envy, and idealization in fictional narratives by Margaret Atwood, Angela Carter, Sandra Cisneros, Toni Morrison, and others, as well as in nonfictional acc...
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  • 17 June 2004
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Looks at the dynamics of identification, envy, and idealization in fictional narratives by Margaret Atwood, Angela Carter, Sandra Cisneros, Toni Morrison, and others, as well as in nonfictional accounts of cross-race relations by white feminists and feminists of color.

Risking Difference revisions the dynamics of multicultural feminist community by exploring the ways that identification creates misrecognitions and misunderstandings between individuals and within communities. Drawing on Lacanian psychoanalysis, Jean Wyatt argues not only that individual psychic processes of identification influence social dynamics, but also that social discourses of race, class, and culture shape individual identifications. In addition to examining fictional narratives by Margaret Atwood, Angela Carter, Sandra Cisneros, Toni Morrison, and others, Wyatt also looks at nonfictional accounts of cross-race relations by white feminists and feminists of color.

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Price: £25.50
Pages: 294
Publisher: State University of New York Press
Imprint: SUNY Press
Publication Date: 17 June 2004
ISBN: 9780791461280
Format: Paperback
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Acknowledgments


Introduction: I Want to Be You


Part I. Totalizing Identifications


1. The Politics of Envy in Academic Feminist Communities and in Margaret Atwood's The Robber Bride


2. I Want You To Be Me: Parent-Child Identification in D. H. Lawrence's The Rainbow and Carolyn Kay Steedman's Landscape for a Good Woman


3. Identification with the Trauma of Others: Slavery, Collective Trauma, and the Difficulties of Representation in Toni Morrison's Beloved


Part II. Structures of Identification in the Visual Field


4. Race and Idealization in Toni Morrison's Tar Baby and in White Feminist Cross-Race Fantasies


5. Luring the Gaze: Desire and Interpellation in Sandra Cisneros's "Woman Hollering Creek," Anne Tyler's Saint Maybe, Angela Carter's The Magic Toyshop, and Margaret Drabble's Jerusalem the Golden


6. Disidentification and Border Negotiations of Gender in Sandra Cisneros's Woman Hollering Creek


Part III. Heteropathic Identifications


7. Toward Cross-Race Dialogue: Cherrie Moraga, Gloria Anzaldua, and the Psychoanalytic Politics of Community


Appendix: The Challenge of Infant Research and Neurobiology to Traditional Models of Primary Identification


Notes


Works Cited


Index