"Kenneth Chan examines the ways Chinese and Chinese American filmmakers grapple with issues of racialization, orientalist stereotypes, diasporic identity, gender politics, and global market forces in their efforts to project China in their Hollywood-produ

"Remade in Hollywood impressively updates the cross-cultural flow of capital, cast and crew between cinemas to highlight the global Chinese presence in post-1997 American films. Erudite and sophisticated in its analysis, this book is a timely contribution

Kenneth Chan is Assistant Professor of Film Studies at University of Northern Colorado.