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‘Post-Multicultural Writers as Neo-Cosmopolitan Mediators’ argues the need to move beyond the monolingual paradigm within Anglophone literary studies. Using Lyotard’s concept of post as the future anterior (back to the future), this book sets up a concept of post-multiculturalism salvaging the elements within multiculturalism that have been forgotten in its contemporary denigration. Gunew attaches this discussion to debates in neo-cosmopolitanism over the last decade, creating a framework for re-evaluating post-multicultural and Indigenous writers in settler colonies such as Canada and Australia. She links these writers with transnational writers across diasporas from Eastern Europe, South-East Asia, China and India to construct a new framework for literary and cultural studies.
Recherche Littéraire, Literary Research
Journal of Intercultural Studies
Translation Literature November 2017 Issue
"At a time when global media and markets give us the illusion of belonging to a shared world, the book acts as a sober reminder that the nagging question to the 'strangers', ... has shifted from 'where are you coming from?' to 'what do we do with them now?'"
—Chantal Zabus, "Recherche littéraire" Literary Research Vol 34 (Été 2018 / Summer 2018).
Sneja Gunew has taught in England, Australia and Canada. She has published widely on multicultural, postcolonial and feminist critical theory.
Acknowledgments; Introduction. The World at Home: Post- Multicultural; 1. Who Counts as Human within (European) Modernity?; 2. Vernacular Cosmopolitans; 3. The Serial Accommodations of Diaspora Writings; 4. Indigenous Cosmopolitanism: The Claims of Time; 5. The Cosmopolitanism in/ of Language: English Performativity; 6. Acoustic Cosmopolitanism: Echoes of Multilingualism; Conclusion. Back to the Future and the Immanent Cosmopolitanism of Post- Multicultural Writers; Notes; Bibliography; Name Index; General Index.