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The first full-length publication in English on influential modernist landscape designer Mien Ruys, this book offers rich insight into her character and the timeless lessons which can still be learnt from her work.
From 1923 until 1980, Mien Ruys created over 3,000 gardens and landscapes. While most of these are in her native Netherlands, the influence of her designs and approaches spread far wider: many of us will have a little bit of Mien in our gardens, be it a railway sleeper, a diagonal line, a Phlomis russeliana or a water ball. Her work was extraordinary in combining two exceptional elements. Firstly, Mien was one of the leading proponents of modernist design: having trained and collaborated with architects such as Ben Merkelbach, Charles Karsten, Aldo van Eyck, Jan Piet Kloos, Hein Salomonson and Gerrit Rietveld, she introduced clean lines, geometric shapes and innovative materials into garden and landscape design. One of the few women members of CIAM, she was also one of the first to call for architects and landscape architects to collaborate fully from initial design onwards. She did so regularly, often on much needed social housing schemes, but also on schools, hospitals and nursing homes. All her projects shared a desire to offer users a better quality of life. One of her most well-known collaborations was with Gerrit Rietveld in Bergeijk on the Ploeg factory and Park, which has since been listed as a historic monument.
Uniquely, Mien Ruys combined this modernist design approach with an extensive knowledge of plants and planting, which she learnt from a very early age in her father’s Royal Moerheim Nursery in Dedemsvaart. Her father had close links with international gardeners, such as Gertrude Jekyll, who greatly influenced Mien as she developed her own loose, natural style of planting. Her book on perennials, published in 1950, was internationally influential and, in seeking deeper understanding about plants and planting, Mien created more than 20 experimental gardens at Dedemsvaart, many of which are now also historic monuments.
'Crawford’s book is a magnificent fanfare for this under-trumpeted master, and it is a joy to see such beautiful photography by Deyan Minchev responding so intelligently to the text. Crawford’s contributions are interspersed with commentary from a range of horticultural, familial, and academic voices, reflecting the breadth of Ruys’s influence and appeal. Though Ruys’s life and work cannot be disassociated from the context of twentieth-century modernism, we can still learn so much from her, and this book is a brilliant place to begin.' – Frederick Hervey-Bathurst, The New Criterion
Julia Crawford has a BA (Hons) in Interior Design and has been a designer for over 20 years, working in the Netherlands and the UK, first as an interior designer and then moving into garden design. She first gained a Masters in Sustainable Architecture from the University of East London before completing a Diploma in Garden Design at the KLC School of Design.
Foreword by Noel Kingsbury; 1 Mien's formative years and influences. Perspective: Theo Ruijs; 2 Initial experiments in garden design. Perspective: Anet Scholma; 3 Geometry. Perspective: Carolien Barkman; 4 The oblique line. Perspective: Edwin van Onna; 5 Collaborations with architects. Perspective: Freerk Halbesma; 6 Innovative materials. Perspective: Jacqueline van der Kloet; 7 Use of plants. Perspective: Conny den Hollander; 8 Legacy; Appendix I: List of Key Organisations and Individuals; Further Reading; Acknowledgments