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This book offers a rich analysis of collage practices in the theatre of Vsevolod Meyerhold. Focusing on the philosophical and formal tenets of the form, and supporting her analysis with wide-ranging examples from both theatre and fine art, Amy Skinner develops collage as a framework for reading the whole of the theatrical experience, from scenography and mise-en-scène to text and spectatorship. An innovative exploration of the influence of collage on twentieth- and twenty-first-century theatre, Meyerhold and the Cubists will be essential reading for theatre scholars and practitioners alike.
Re-reading Meyerhold, part one
Chapter 1: Setting the scene
Chapter 2: Depth
Chapter 3: Figure
Chapter 4: Collage
Chapter 5: Spectatorship
Chapter 6: Documentation
Re-reading Meyerhold, part two
Appendix: Russian art and Meyerhold’s theatre: A timeline