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Incisive observations on popular music, poetry, and culture, and on the ways that gender, race, class, and contemporary politics shape artistic production.
Poet and critic Tyrone Williams (1954–2024) was a prolific reviewer of poetry, poetics, and culture, publishing nearly 150 reviews between 1975 and 2023. Starting with his omnibus reviews of music in a college student newspaper, this collection presents a selection of Williams's reviews that address prominent topics in American culture and in literary criticism, including the reception of experimental and innovative poetry; the history of African American writing and its reception; and the ways that poets, other writers, and musicians negotiate gender, class, and race. Williams understood art as deeply connected to everyday living. From readings attentive to the nuances of a single line of verse to broad evaluations of poetry collections and music in relation to historical and contemporary movements or events, Williams's reviews are instructive for students of American literature and culture and for anyone interested in the profound work poetry performs in the twentieth- and twenty-first centuries. Written in engaging and often witty and impassioned prose, these reviews will both delight and provoke their readers.
"I know of nothing to compare to this volume by Tyrone Williams. It stands as a master class in the musical and literary culture of the recent decades." — Aldon Lynn Nielsen, Pennsylvania State University
Cristanne Miller is Distinguished Professor and Edward H. Butler Professor of English Emerita at the University at Buffalo, SUNY. She is the author of Reading In Time: Emily Dickinson in the Nineteenth Century. Claire Tranchino is a PhD candidate in English at the University at Buffalo, SUNY. Her research examines the construction of gender and race in contemporary American poetry through psychoanalytic and aesthetic theories. Aaron VanSteinberg is also a PhD candidate in English at the University at Buffalo, SUNY. His research charts the relationships between race, professionalism, and labor in postwar North American poetry. Evie Shockley is Zora Neale Hurston Distinguished Professor of English at Rutgers University.