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James Baldwin Review

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27 September 2022


LITERARY CRITICISM / American / African American & Black, Literary studies: fiction, novelists and prose writers, POLITICAL SCIENCE / Civil Rights, SOCIAL SCIENCE / Discrimination, MUSIC / Genres & Styles / Blues, PERFORMING ARTS / Theater / History & Criticism, Human rights, civil rights, Theatre studies, Music reviews and criticism

Introduction:
Brothers or Fools
Justin A. Joyce
Feature Essay:
Nonviolence, Black Power, and “the citizens of Pompeii”: James Baldwin’s 1968
Ed Pavlic
Essays:
“A Kind of Joy”: Laughing and Grinning through Sonny’s Blues
James Nikopoulos
“Forging a New Language”: A New Spatiotemporal Logic in James Baldwin’s The Evidence of Things Not Seen
Özge Özbek Akiman
Tortuous Time: Undoing the Past in Jean Améry and James Baldwin
Joseph Weiss
Baldwin and the Role of the Citizen Artist
Monika Gehlawat
Graduate Student Essay Award Winner:
Reaching Toward the Reader: James Baldwin’s Voice in “Notes of a Native Son”
Beth Tillman
Dispatches:
“This Music Begins on the Auction Block”: Learning in the Twenty-First Century from James Baldwin on Music
Josh Friedberg
Making Experiences Our Own: A Review of The Amen Corner, 2021
Ijeoma N. Njaka
Baldwin Boxed In at Virginia State Symposium: A Review
Herb Boyd
Celia, James, and Me
Michael A.L. Broyles
Bibliographic Essay :
The Evidence of Things Translated: Circulating Baldwin in Contemporary Europe
Remo Verdickt
Interview:
They Came to See if I’m for Real: James Baldwin Interviewed by Hakim Jamal for LA Free Press (1968)
Ed Pavlic