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Was Moteuczoma really as weak as history portrayed him? As Susan D. Gillespie instead suggests in "Blaming Moteuczoma," the representation of Moteuczoma as a scapegoat for the Aztec defeat can be understood as a product of indigenous resistance and accommodation following the imposition of Spanish colonialism. Chapters address the various roles (real and imagined) of Moteuczoma, Cortés, and Malinche in the fall of the Aztecs; the representation of history in colonial art; and the complex cultural transformations that actually took place.
Including full-color reproductions of seventeenth-century paintings of the Conquest, Invasion and Transformation will appeal to scholars and students of Latin American history and anthropology, art history, colonial literature, and transatlantic studies. Contributors include Rebecca P. Brienen, Louise M. Burkhart, Ximena Chávez Balderas, Constance Cortez, Viviana Diáz Balsera, Martha Few, Susan D. Gillespie, Margaret A. Jackson, Diana Magaloni Kerpel, Matthew Restall, Michael Schreffler.
—Cristián Roa de la Carrera, University of Illinois at Chicago
"[The contributors] combine art history, history, linguistic anthropology, literature and archaeology to consider how the Spanish conquest of Mexico has—and should—be remembered. . . . Here, they collectively continue paving the way for ever richer dialogues across disciplines about the interpretive possibilities still latent in the themes of conquest and colonization."
—Journal of Latin American Studies
Margaret A. Jackson is an assistant professor of ancient American art history at the University of New Mexico and the President of the Association for Latin American art.