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In Comes I

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‘In Comes I’ explores performance and land, biography and locality, memory and place. The book reflects on performances past and present, taking the form of a series of excursions into the agricult...
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  • 12 January 2007
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In Comes I explores performance and land, biography and locality, memory and place. The book reflects on performances past and present, taking the form of a series of excursions into the agricultural landscape of eastern England, and drawing from archaeology, geomorphology, folklore, and local and family history.

Mike Pearson, a leading theatre artist and solo-performer, returns to the landscape of his childhood – off the beaten track in Lincolnshire – and uses it as a mnemonic to reflect widely upon performance theory and practice. Rather than focusing on author, period and genre as is conventional in the study of drama, the book takes region as its optic, acknowledging the affective ties between people and place.

Offering new approaches to the study of performance, he integrates intensely personal narrative with analytical reflection, juxtaposing anecdote with theoretical insight, dramatic text with interdisciplinary perception. The performances, ranging from folk drama to contemporary site-specific work, are seen in the light of their relationship to their cultural and physical environment.

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Price: £75.00
Pages: 256
Publisher: University of Exeter Press
Imprint: University of Exeter Press
Publication Date: 12 January 2007
Trim Size: 9.75 X 6.60 in
ISBN: 9780859897877
Format: Hardcover
BISACs:

PERFORMING ARTS / Theater / General, Theatre studies

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In Comes I is a brilliant and timely book, and one that will expand the field of Theatre and Performance Studies by introducing new concepts, functions, forms, and vocabularies. ....In Comes I is beautifully designed: the images, layout, and font transform the book into a kind of page-bound installation, a landscape to hold and move through. It feels good to look at and to touch.


Mike Pearson was Professor of Performance Studies at University of Wales, Aberystwyth. He was a leading theatre artist, having worked both as director and performer in various theatre companies in Wales; he created performances as a solo artist with German saxophonist Peter Brõtzmann, and with artist/designer Mike Brookes. He was co-author of Theatre/Archaeology (Routledge 2001).

 

 


List of Illustrations

Preface

Map of the book


Introduction

VILLAGE:

Preamble

Performance: Bubbling Tom

Excursion: Hibaldstow

Project: White House Yard

NEIGHBOURHOOD:

Preamble

Performance: Hibaldstow Plough Play

Excursion: Hibaldstow, Redbourne and Kirton in Lindsey

Project: Gainsthorpe

REGION:

Preamble

Performance: Haxey Hood

Excursion: North Lincolnshire

Project: Ousefleet

Afterword: Performance and landscape

Bibliography

Index