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The American astronaut image was informed by early Cold War ideals of masculinity that helped mold a distinctly American (anti-communist) masculinity, which appeared—on the surface anyway—to resolve not only an American “crisis of masculinity” but helped win the Cold War on an ideological and popular level. This American image focused on strict gender binaries of man as the protector, controlling technology and containing communism, while woman was the passive actor with spaceflight technology—left behind in the home waiting for the return of the astronaut husband. Allowing women to fly into space would have represented a lack of individual control with spaceflight technology.
“McComb sheds new light on the storied space race and its aftermath through a sharp focus on gender and astronauts. Her historical scholarship traces in vivid detail how a culture of masculinity was estab-lished within U.S. aerospace but challenged by daring women including Jerrie Cobb, Sally Ride and Ei-leen Collins.” — Jordan Bimm, University of Chicago, US
Acknowledgments; Introduction: Who Can Fly? Gender and the American Astronaut; 1-Early Cold War Gender Roles in the Public and Private Discourse; 2-Light This Candle: Project Mercury and Cold War Masculinity; 3-The First Lady Astronaut Trainees (FLATs); 4-Refreshingly Human and Winning: Pilot Control and Project Gemini; 5-It’s Hip to Be Square: Democratic Manhood and the Apollo Program; 6-What Made It Possible for Sally to Ride?: The Shuttle’s Domestication and Democratization of Spaceflight; Conclusion: To Infinity and Beyond; Bibliography; Index