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‘Finding Queensland in Australian Cinema’ explores aspects of gender, race and region in films and television produced in the northern Australian state of Queensland. Drawing on a range of scholarly sources and an extensive filmography, the essays in the book investigate poetics and production histories from the 'period' films of the Australian cinema revival of the 1970s to contemporary 'Queensland-genre' films, highlighting the resonances of regional locations amid the energetic growth of the film industry, and promotion of Queensland as a production destination.
List of Figures; Acknowledgements; Introduction: Regional Features; Part 1 Backtracks: Landscape and Identity; Chaper 1. Period Features, Heritage Cinema: Region, Gender and Race in The Irishman; Chaper 2. Heritage Enigmatic: The Silence of the Dubbed in Jedda and The Irishman; Part 2 Silences in Paradise; Chaper 3. Tropical Gothic and the Music of the Cane Fields in Radiance; Chaper 4. Island Girls Friday: Women, Adventure and the Tropics; Part 3 Masculine Dramas of the Coast; Chaper 5. The Sunshine Boys: Peter Pan and the Iron Man in the Coastal Cinema of Queensland; Chaper 6. A Pacific Parable: Cave and Coastal Masculinities in Sanctum; Part 4 Regional Backtracks; Chaper 7. Unknown Queensland in Torres Strait Television: RAN and The Straits; Chaper 8. Back to the Back: Genre Queensland and Westerns in Winton; Conclusion: On Location in Queensland; Notes; Filmography; Works Cited; Index.