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Film Studies in China

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01 October 2017


PERFORMING ARTS / General, Film history, theory or criticism, PERFORMING ARTS / Film / General

Notes on Translation vii
Foreword ix
HaungFu YiChuan
Chapter 1: The Culture and Aesthetics of Huo JianQi’s Films 1
Zhang BinNing
Chapter 2: 12 Citizens: Twelve Chinese People, 1.2 Billion Voices: Successful
Localization and Practical Application 19
Zhang JingYu
Chapter 3: Intellectual Property Rights Transfers in a Borderless Era 29
Ding YaPing
Chapter 4: The Materialist View: Quality Editing Requires Editorial Integrity 45
Liao Ching-Sung and Han JiaZheng
Chapter 5: The Most Important Aspect of Film-Making is ‘Discovery’:
A Conversation with Director Jia ZhangKe 65
Jia ZhangKe and Yang YuanYing
Chapter 6: Film Culture Development in the Wake of New China’s ‘Pretonpian
Society’: The ‘Netopia’ of Chinese Auteurs Constitutes a ‘New Force’
in the Industry 93
Yin Hong
Chapter 7: Spiritual and Physical Manifestations and Cultural Signifiers of
Trauma in Chinese Anti-Japanese War Films 109
Li DaoXin
Notes on Contributors 125
Contemporary Cinema Editorial Board 127
Notes on Intellect China Library Series 129