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Femininity and constructing national identity in Spanish postwar cinema, 1939–45
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01 September 2026
Femininity and constructing national identity in Spanish postwar cinema, 1939-1945 examines the intersection of gender politics and Spanish film production in the period between the end of the Spanish Civil War and the end of WWII. This was a period when the Franco regime was attempting to rewrite the history of the Spanish Civil War in the popular imagination through the production of war pictures that glorified the victors. Surprisingly, director’s who has proven themselves firm supporters of the Franco regime had their work censored when they attempted to portray female wartime heroism. Through comparative studies of films that received official support and those that were censored, a clear pattern emerges that outlines the parameters of how women could acceptably be portrayed in an emerging Spanish industry that sought to define the place of women in postwar Spanish society.
PERFORMING ARTS / Film / Genres / Historical, PERFORMING ARTS / Film / History & Criticism, PERFORMING ARTS / Film / Direction & Production, Film history, theory or criticism, Gender studies: women and girls, Individual film directors, film-makers
Introduction
1 Rojo y negro, 1942: Francoist film at a crossroads
2 Invisible femininities: Negating female heroism in post war films
3 Skirting the issues: Romantic melodramas in the shadow of war
4 Comedies as loci of resistance
Epilogue
Works cited
Index