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Exhibiting the Empire

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Examines various ways in which the Empire was displayed in Britain between the eighteenth and early twentieth centuries, looking at music, satirical prints, exploration, battles and even nascent na...
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  • 12 October 2015
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Exhibiting the empire considers how a whole range of cultural products – from paintings, prints, photographs, panoramas and ‘popular’ texts to ephemera, newspapers and the press, theatre and music, exhibitions, institutions and architecture – were used to record, celebrate and question the development of the British Empire. It represents a significant and original contribution to our understanding of the relationship between culture and empire. Written by leading scholars from a range of disciplinary backgrounds, individual chapters bring fresh perspectives to the interpretation of media, material culture and display, and their interaction with history. Taken together, this collection suggests that the history of empire needs to be, in part at least, a history of display and of reception.

This book will be essential reading for scholars and students interested in British history, the history of empire, art history and the history of museums and collecting.

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Price: £90.00
Pages: 304
Publisher: Manchester University Press
Imprint: Manchester University Press
Series: Studies in Imperialism
Publication Date: 12 October 2015
ISBN: 9780719091094
Format: Hardcover
BISACs:

HISTORY / Europe / Great Britain / General, Colonialism and imperialism, HISTORY / Social History, European history

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‘Exhibiting the Empire is an excellent contribution to the continued debate about the empire’s role in Britain. There is a good deal packed into this relatively short volume, which certainly raises a number of new topics and approaches that warrant further attention from scholars of empire, British and otherwise.’
Stephen Hague, Rowan University, H-Net, Humanities and Social Science Reviews Online

‘This collection is a brilliant example of how the historiography of empire should consider the multiple and complex imperial interactions within and throughout British domestic culture. Contributions from a range of scholars and a variety of disciplinary traditions show that a host of cultural products were used to record, celebrate and question the development of the British Empire within the metropole.’
Shahmima Akhtar, University of Birmingham, Journal of contemporary History, Vol. 54, No. 1

John McAleer is Lecturer in History at the University of Southampton

John M. MacKenzie is Emeritus Professor of Imperial History at Lancaster University and holds Honorary Professorships at the Universities of Aberdeen, St Andrews and Stirling, as well as an Honorary Fellowship at Edinburgh University

Introduction: Cultures of display and the British Empire – John M. MacKenzie and John McAleer
1. An elite imperial vision: eighteenth-century British country houses and four-continents imagery – Stephanie Barczewski
2. Exhibiting exploration: Captain Cook, voyages of exploration and the culture of display – John McAleer
3. Satirical peace prints and the cartographic unconscious – Douglas Fordham
4. Sanguinary engagements: exhibiting the naval battles of the French Revolutionary and Napoleonic Wars – Eleanor Hughes
5. Empire under glass: the British Empire and the Crystal Palace, 1851–1911 – Jeffrey Auerbach
6. Ephemera and the British Empire – Ashley Jackson and David Tomkins
7. Exhibiting the empire in print: the press, the publishing world and the promotion of ‘Greater Britain’ – Berny Sèbe
8. Exhibiting the empire at the Delhi Durbar of 1911: imperial and cultural contexts – John M. MacKenzie
9. Elgar’s Pageant of Empire, 1924: an imperial leitmotiv – Nalini Ghuman
10. Representing ‘Our Island Sultanate’ in London and Zanzibar: cross-currents in educating imperial publics – Sarah Longair
Index