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The book presents the text of Edward FitzGerald’s three main versions of the Rubáiyát of Omar Khayyám, together with non-technical commentary on the origins, role and influence of the poem, including the story of its publication. The commentary also addresses the many spin-offs the poem has generated in the fields of art and music, as well as its message and its worldwide influence during the 150 years since its first appearance.
‘William H. Martin and Sandra Mason’s edition is a worthy addition. Seeming to respond to Edmund Gosse’s entreaty, in an introduction to a deluxe 1902–1903 American edition of FitzGerald’s works, to “regain in the study of him a little of his own chaste moderation,” Martin and Mason have succeeded, as is their stated aim, in producing a highly accessible version of the text.’ —Ailise Bulfin, ‘English Literature in Transition, 1880–1920’
Introduction; Acknowledgements; List of Illustrations; Part 1. Edward FitzGerald’s Rubáiyát of Omar Khayyám; A Note on the Texts; First Edition (1859); Second Edition (1868); Fourth Edition (1879); Edward FitzGerald’s Notes; Edward FitzGerald’s Prefaces; Part 2. The Rubáiyát, Its Story and Its Influence; Omar Khayyám and his Rubáiyát; Edward FitzGerald and his Rubáiyát; The Poem Itself; How the Rubáiyát Became Popular; Worldwide Spread and Influence; Exploitation in Many Forms; Relevance to the Modern Day; Notes to Part 2; Part 3. Further Notes and References; The Texts Presented – Editors’ Notes; Quatrain Numbers in the Rubáiyát; Note References in the Rubáiyát; Glossary of Names and Terms; Further Reading and Online Resources; Index