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Early Italian Painting Vol. I
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Edward Garrison's 1949 index on Romanesque Italian panel painting set the standard. His four-volume work (1953-1962) is a significant research contribution to Italian medieval painting (11th-13th c...
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31 December 1984

Edward Garrison's work on early Italian panels resulted in the publication in 1949 of the first comprehensive index of Romanesque Italian panel painting, which remains the standard work of reference on the subject. Subsequently, his four-volume Studies in the History of Medieval Italian Painting, published in Florence between 1953 and 1962, represents the most considerable body of research yet published on Italian miniature and panel painting from the eleventh to the thirteenth centuries.
These two volumes collect together all the author's articles on Italian fresco and panel painting which have been published in art-historical journals since 1945. This provides both an indispensable supplement to the author's earlier Studies in the History of Medieval Italian Painting, and in including three successive Addenda to his Index of Italian Romanesque Panel Paintings, also serves the function of updating the earlier publications.
These two volumes collect together all the author's articles on Italian fresco and panel painting which have been published in art-historical journals since 1945. This provides both an indispensable supplement to the author's earlier Studies in the History of Medieval Italian Painting, and in including three successive Addenda to his Index of Italian Romanesque Panel Paintings, also serves the function of updating the earlier publications.
Price: £150.00
Pages: 320
Publisher: Pindar Press
Imprint: Pindar Press
Publication Date:
31 December 1984
ISBN: 9780907132097
Format: Hardcover
BISACs:
ART / History / Medieval, History of art
Preface
The Role of Criticism in the Historiography of Painting
Note on the Survival of Thirteenth-Century Panel Paintings in Italy
A Berlinghieresque Fresco in S. Stefano, Bologna
Ricupero di un affresco del dodicesimo secolo in Lucca
Towards a New History of Early Lucchese Painting
Elements of Shape as Indices of Date in Florentine Painted Panels
A Ducciesque Tabernacle at Oxford
The Oxford Christ Church Library Panel and the Milan Sessa Collection Shutters
Simeone and Machilone Spoletenses
Il Maestro di Forlì
Dating the Vatican Last Judgment Panel: Monument versus Document
Post-War Discoveries in Early Italian Painting, I-V
Addenda ad Indicem, I-III
Index
The Role of Criticism in the Historiography of Painting
Note on the Survival of Thirteenth-Century Panel Paintings in Italy
A Berlinghieresque Fresco in S. Stefano, Bologna
Ricupero di un affresco del dodicesimo secolo in Lucca
Towards a New History of Early Lucchese Painting
Elements of Shape as Indices of Date in Florentine Painted Panels
A Ducciesque Tabernacle at Oxford
The Oxford Christ Church Library Panel and the Milan Sessa Collection Shutters
Simeone and Machilone Spoletenses
Il Maestro di Forlì
Dating the Vatican Last Judgment Panel: Monument versus Document
Post-War Discoveries in Early Italian Painting, I-V
Addenda ad Indicem, I-III
Index