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Critical histories of the Arts and Crafts movement

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From indigo dyeing at William Morris’s factory to contemporary Indigenous textile weaving in Cote d’Ivoire, this book examines the complexities and contradictions of the Arts and Crafts movement, o...
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  • 20 October 2026
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The Arts and Crafts movement has long been hailed for the radical shifts it generated in artmaking and culture with its critique of the conditions of labour, design reforms, association with socialist politics, provision of new opportunities for women artists, and alignment with early green thought. Yet despite numerous publications on the Arts and Crafts movement, conventional narratives remain celebratory and critically underdeveloped. Examining the complexities and contradictions of the movement, this book offers new critical analyses of Arts and Crafts figures, principles, practices, objects and sites grounded in innovative methodologies. Drawing on recent work in LGBTQ+ studies, critical race studies and eco-art history, the book reconsiders the radicalism and legacies of the movement. Reframing the movement’s contested canonical, chronological and geographical parameters, chapters rewrite the intertwined histories of the Arts and Crafts movement and contexts of cultural identity, ethnography, race, empire, nation building, transnational exchange and globalised markets.
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Price: £95.00
Pages: 264
Publisher: Manchester University Press
Imprint: Manchester University Press
Series: Studies in Design and Material Culture
Publication Date: 20 October 2026
ISBN: 9781526190420
Format: Hardcover
BISACs:

DESIGN / History & Criticism, History of design, ART / History / Modern (late 19th Century to 1945), DESIGN / General

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Thomas Cooper is HR Woudhuysen Junior Research Fellow in Material Culture at Lincoln College, Oxford
Imogen Hart is a Lecturer in the History of Art at Oxford Brookes University

Introduction – Thomas Cooper and Imogen Hart
1 Morris’s materials: A study in indigo – Sarah Mead Leonard
2 The making and meaning of the Morris family albums: A queer intervention in Arts and Crafts scholarship – Thomas Cooper
3 Re-mediation and ‘local’ Islamic art in the British Arts and Crafts movement – Sara Choudhrey
4 Chinese ceramics and British art pottery – Charlotte Ashby and Naomi Brookes
5 ‘Of the racial influence in design’: Race, evolution and (re)production in the English Arts and Crafts movement – Imogen Hart
6 Craftivism as a strategy for inclusive development in independence India: Kamaladevi Chattopadhyay and Elizabeth Bayley Willis – Adhitya Dhanapal
7 Carceral craft: Chinese exclusion and the paperwork of the Golden Venture detainees – Marie Lo
8 Crafting motif: Indigenous textile design and the contemporary Arts and Crafts industries – Emma C. Wingfield
9 Beauty that challenges: The Burne-Jones windows at Birmingham Cathedral – Andy Delmege

Bibliography
Index