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Critical histories of the Arts and Crafts movement
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20 October 2026
DESIGN / History & Criticism, History of design, ART / History / Modern (late 19th Century to 1945), DESIGN / General
Thomas Cooper is HR Woudhuysen Junior Research Fellow in Material Culture at Lincoln College, Oxford
Imogen Hart is a Lecturer in the History of Art at Oxford Brookes University
Introduction – Thomas Cooper and Imogen Hart
1 Morris’s materials: A study in indigo – Sarah Mead Leonard
2 The making and meaning of the Morris family albums: A queer intervention in Arts and Crafts scholarship – Thomas Cooper
3 Re-mediation and ‘local’ Islamic art in the British Arts and Crafts movement – Sara Choudhrey
4 Chinese ceramics and British art pottery – Charlotte Ashby and Naomi Brookes
5 ‘Of the racial influence in design’: Race, evolution and (re)production in the English Arts and Crafts movement – Imogen Hart
6 Craftivism as a strategy for inclusive development in independence India: Kamaladevi Chattopadhyay and Elizabeth Bayley Willis – Adhitya Dhanapal
7 Carceral craft: Chinese exclusion and the paperwork of the Golden Venture detainees – Marie Lo
8 Crafting motif: Indigenous textile design and the contemporary Arts and Crafts industries – Emma C. Wingfield
9 Beauty that challenges: The Burne-Jones windows at Birmingham Cathedral – Andy Delmege
Bibliography
Index