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Courting Disaster

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Drawing parallels with the #MeToo movement, this book explores how a series of brilliant female authors in the eighteenth and nineteenth centuries cleverly used the novel as a vehicle for ground-br...
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  • 09 March 2027
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What do #MeToo and Jane Austen have in common? More than you might think.

Ever since the novel was invented, women have used it as a platform for sharing ideas about sexual consent. Dr Zoë McGee reveals how Jane Austen, Frances Burney and their now-overlooked contemporaries used their stories to try to change society’s mind about rape culture – and to reassure survivors they were not alone.

Courting Disaster takes a timely deep-dive into a series of classic novels, comparing them with both historic court records and current events to show that our arguments about consent are not a new phenomenon. With the wit and wryness of a courtship novel, McGee reads between the lines to unveil a quiet feminist movement that still resonates today. Because every novel about marriage is also a novel about consent.

In an era that’s clamouring for a return to the values of the past, Courting Disaster asks what that would really mean, and whether anyone actually liked it back then anyway…

Drawing parallels with the #MeToo movement, this book explores how a series of brilliant female authors in the eighteenth and nineteenth centuries cleverly used the novel as a vehicle for ground-breaking discussions about consent.

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Price: £12.99
Pages: 328
Publisher: Manchester University Press
Imprint: Manchester University Press
Publication Date: 09 March 2027
ISBN: 9781526188878
Format: Paperback
BISACs:

LITERARY CRITICISM / Feminist, Literature: history and criticism, FICTION / World Literature / England / 18th Century, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh, LITERARY CRITICISM / Modern / 18th Century, FICTION / World Literature / England / 19th Century, LITERARY CRITICISM / Modern / 19th Century, Feminism and feminist theory

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Zoë McGee has a PhD in English Language and Literature from Queen Mary University of London. She was shortlisted for the BBC’s New Generation Thinker scheme in 2020. As a member of the Talent Factory, a mentoring group that focuses on delivering academic content to non-specialist audiences, she has taken part in everything from stand-up comedy to panel game-shows and podcasts. In her spare time, she competes in Ballroom and Latin dance.

Introduction
Part I: Consent
1 Clarissa, or The Perfect Victim Myth
2 Cecilia, or Credit and Credibility
3 Jane Doe, or Misreading the Room
Part II: Innocence
4 Ophelia, or Resisting the Unknown
5 Camilla & Eugenia, or What You Don’t Know Can Hurt You
6 Evelina, or The Value of Virginity
Part III: Violence
7 Anon., or The Context of the Courtroom
8 Mary, or Violating Convention
9 Theodora & Dorothea, or The Bystander Effect
Part IV: Marriage
10 Elinor, or Honouring Engagements
11 Fanny, or The Price of Refusal
12 Anne, or Negotiating the Future
Conclusion
Index