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Buddhist art - its nature, creation, function, conservation and contemporary manifestations - was the subject of the Buddhist Art Forum, a major conference held at The Courtauld Institute of Art in 2012 and sponsored by The Robert H.N. Ho Family Foundation. For the first time a representative group of those with a stake in Buddhist art - including art historians, conservators, curators and officials, a monk from Nepal and a contemporary artist - was gathered to address these issues. The twenty-eight papers in this resulting ground-breaking volume consider Buddhist art from the earliest Indian stupas to contemporary Himalayan thangkas, as well as its ritual use and audience, its tourist consumption in expanding economies, its often ill-conceived conservation, and its influence on modern and contemporary Western art. A stimulating range of viewpoints is expressed in this lavishly illustrated volume, making a genuine contribution to the awareness and understanding of these issues and developments that goes beyond regional and specialist boundaries.
Art of Merit remains one of the most comprehensive volumes on not only Buddhist art but also the philosophy of Buddhist art.
— Buddhistdoor International
1 Presenting the Buddha: images, conventions, and significance in early Indian Buddhism Juhyung Rhi
2 Buddha's stupa and image: in search of the ultimate icon Tadeusz Skorupski
3 Rhetoric of Reward, ideologies of inducement: why produce Buddhist 'art'? Peter Skilling
4 Art in the dark: the ritual context of Buddhist caves in western China Robert Sharf
5 Painted and architectural ornamentation of the temples of Pagan: more than mere iconography and decoration Claudine Bautze-Picron
6 The problem of authenticity: a historical geography of Buddhist art in eighteenth-century China Patricia Berger
7 The oracle and temple of Lamochok: aspects of history and iconography Matthew Kapstein
8 The wailing arhats: Buddhism, photography and resistance in modern China Francesca Tarocco
9 Conserving the Buddhist wall paintings of Bamiyan in Afghanistan: practical issues and dilemmas Yoko Taniguchi
10 Buddhist wall paintings in context: the foundation for future scholarship Susan Whitfield
11 Dunhuang Grotto Buddhist art and its preventative conservation Wang Xudong
12 Applying the China Principles: The Getty Conservation Institute’s work at Dunhuang and Chengde in China Lori Wong, Martha Demas and Neville Agnew
13 Conservation and research in Buddhist art from an art-historical perspective Christian Luczanits
14 Sumda Chun and other early Buddhist wall painting in Ladakh: practical and ethical conservation issues from to failing structures to obscuring surface layers Charlotte Martin de Fonjaudran, Sreekumar Menon and Maninder Singh Gill
15 Relationship of conservation to the functions of monuments, with reference to Buddhism in Bhutan Dorjee Tshering
16 Buddhist wall paintings of Bhutan: material traditions and conservation realities Lisa Shekede and Stephen Rickerby
17 A new image of the Mahasiddha Virupa: a major addition to the corpus of early fifteenth-century bronzes John Clarke
18 A new image of the Mahasiddha Virupa: technical investigations and conservation Diana Heath
19 The Buddha and his brothers: expressions of power, place and community by the network of Mahamuni images of Arakan, Bangladesh and Burma Pyi Phyo Kyaw and Kate Crosby
20 Buddhist strategies of keeping its sacred images and shrines alive: the example of the Svayambhu caitya of Kathmandu Alexander von Rospatt
21 Materiality of devotion: Tibetan Buddhist shrines of the western Himalayas Melissa R. Kerin
22 The pilgrimage to Bangajang: a devotional circuit in the eastern Himalayas Richard Blurton
23 Sacred art: on the path to wisdom and compassion Matthieu Ricard
24 Re-inscribing Mount Myohyang: from the Pohyon Temple to the International Friendship Exhibition Marsha Haufler
25 Why collect Tibetan art? Alice Kandell
26 Buddhist art in an Ando building Francesca Consagra
27 Revisiting The Third Mind: Buddhist imaginary in American art Alexandra Munroe
28 ‘Sculpture of mindfulness’ Antony Gormley