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With a body of work that explores a broad spectrum of subjects - from lesbianism and feminism to contemporary politics and the natural world - Nicole Eisenman (b.1965) challenges convention and encourages viewers to construe meanings from images that demand interrogation and debate.
Illustrating paintings spanning the early 1990s to the present day, Dan Cameron unpacks the complexities of Eisenman's oeuvre via thematic chapters that address key ideas which emerge when drawing specific works together. As such, this first major account of Eisenman's painting career, presents a clear analysis of the primary motivators that have fuelled the imagination of one of the most interesting and original contemporary artists working today.
Illustrating paintings spanning the early 1990s to the present day, Dan Cameron unpacks the complexities of Eisenman's oeuvre via thematic chapters that address key ideas which emerge when drawing specific works together. As such, this first major account of Eisenman's painting career, presents a clear analysis of the primary motivators that have fuelled the imagination of one of the most interesting and original contemporary artists working today.
Price: £45.00
Publisher: Lund Humphries Publishers Ltd
Imprint: Lund Humphries Publishers Ltd
Series: Contemporary Painters Series
Publication Date:
14 June 2021
Trim Size: 11.00 X 9.50 in
ISBN: 9781848224506
Format: Hardcover
BISACs:
'An indispensable introduction to THE painter of modern life. Nicole Eisenman's prodigious body of work bears witness to moments of being, whether too intoxicated, too fleeting, too absurd, or too uncanny to feel see-able by anything but history itself, or the ones who know and love you best.'
— Ariana Reines
— Ariana Reines
Dan Cameron is a New York-based curator, art writer and educator best known for having founded Prospect New Orleans, the triennial art exhibition that began operations shortly after Hurricane Katrina, from 2006 to 2011, and is currently preparing its fifth edition. For over a decade (1995-2006), his exhibitions as Senior Curator at the New Museum, New York, included now-historic surveys of William Kentridge, Faith Ringgold, Carolee Schneemann, David Wojnarowicz and Martin Wong. Cameron worked as Chief Curator at Orange County Museum of Art in Newport Beach, California (2012-2015), along with directing international art biennials in Istanbul (2003), Taipei (2006), Cuenca (2016) and Kansas City (2018). He was most recently guest curator for the 2019 retrospective of Leandro Erlich at MALBA in Buenos Aires.
Foreword; Introduction; 1: Muralisms; 2: Lesbians and amazons; 3: Dysfunctional family romance; 4: Portrait of the artist as a hot mess; 5: Funny serious; 6: Natural orders; 7: Social space and public disorder; 8: Feminisms first; 9: Politics by any other name; 10: Guys and dudes; 11: Beer gardens and bohemians; Biography; Solo exhibitions; Group exhibitions; Selected projects; Film/TV/Radio; Guest lectures; Teaching; Bibliography; Awards, grants and fellowships; Public collections; Index