Eva Puschautz undertakes a detailed analysis of Mk 3:20f.31-35, centering on the question of how Mary is portrayed within the narrative and theological framework of the Gospel of Mark. Combining textual, literary, form-critical, and redactional methods with narrative analysis, the author applies feminist hermeneutics to interpret Mary not as an idealized or marginalized figure, but as an autonomous actor. By reconstructing the socio-historical background, the author shows that Mary is plausibly understood as a widow in precarious circumstances, dependent on her eldest son's support. Against this backdrop, her attempt to bring Jesus home appears both understandable and strategically motivated. The author shows how Mark combines two traditions: a family conflict and the definition of the disciples as Jesus' true family. Rather than harmonizing these strands, Mark preserves their tension, which proves challenging for both early communities and modern readers. Through synoptic comparison and intertextual study - for example, with Mk 6:1-6 - the author demonstrates how Mary's image evolves within the transmission of the tradition and how the motif of the rejected prophet is embedded in biblical discourse. Eva Puschautz contributes to feminist and historical-critical exegesis by highlighting Mary as both historical figure and symbolic character. She provides a solid foundation for New Testament research and feminist theology, offering a nuanced perspective of Mary as an independent actor rather than as an idealized topos.