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This is the most comprehensive monograph to-date on the innovative abstract site-related installations of German artist Katharina Grosse (b.1961).
Grosse’s daring move from the canvas into both architectural space and the landscape, with her signature colourful spray paintings, has resulted in a deeply compelling body of work. From a Toronto airport to a decrepit beach structure on the New York coast and the spaces of major museums worldwide, Grosse’s works present thorough, if often temporary, carnivalesque transformations of extant places and situations.
Author Gregory Volk has known Katharina Grosse and written about her work since the very outset of her career, and has witnessed her journey from unique talent to radical visionary. As he suggests here, Grosse’s continually developing practice, simultaneously ungainly and exhilarating, bewildering and liberating, radically extends the possibilities for contemporary abstract painting.
Grosse’s daring move from the canvas into both architectural space and the landscape, with her signature colourful spray paintings, has resulted in a deeply compelling body of work. From a Toronto airport to a decrepit beach structure on the New York coast and the spaces of major museums worldwide, Grosse’s works present thorough, if often temporary, carnivalesque transformations of extant places and situations.
Author Gregory Volk has known Katharina Grosse and written about her work since the very outset of her career, and has witnessed her journey from unique talent to radical visionary. As he suggests here, Grosse’s continually developing practice, simultaneously ungainly and exhilarating, bewildering and liberating, radically extends the possibilities for contemporary abstract painting.
Price: £49.99
Publisher: Lund Humphries Publishers Ltd
Imprint: Lund Humphries Publishers Ltd
Series: Contemporary Painters Series
Publication Date:
03 September 2020
Trim Size: 11.00 X 9.50 in
ISBN: 9781848223233
Format: Hardcover
BISACs:
Gregory Volk is an art critic, curator, and former associate professor in the Department of Sculpture + Extended Media and the Department of Painting + Printmaking at Virginia Commonwealth University. He is Contributing Editor for Art in America, frequently contributors to Hyperallergic, and has written for many other publications, exhibition catalogues and books.
Foreword; 1. Toward a Carnival Art; 2. Carnival Origins; 3. The Carnival Expands; 4. The Outdoor Carnival; 5. Conclusion; Selected
Solo Exhibitions;
Selected Group Exhibitions; Selected Public Collections; Acknowledgements and Picture Credits; Index