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Flesh Into Light

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Over her more than four-decade career, New York-based filmmaker, performer and writer Amy Greenfield has achieved widespread critical acclaim for her genre-bending films which cross the boundaries ...
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  • 15 May 2012
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Over her more than four-decade career, New York-based filmmaker, performer, and writer Amy Greenfield has achieved widespread critical acclaim for her genre-bending films which cross the boundaries of experimental film, video art, and multimedia performance—from her feature film, Antigone/Rites Of Passion, to her major new live multimedia work, Spirit in the Flesh. Exploring the dynamism of movement and the resilience of the human spirit, Greenfield creates a new visual and kinetic language of cinema.

An innovative exploration of an artist whom Cineaste called “the most important practitioner of experimental film-dance,” Flesh Into Light covers Greenfield’s entire career and draws attention to the more than thirty films, holographic sculptures, and video installations of this important American artist.

 

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Price: £23.95
Pages: 138
Publisher: Intellect Books
Imprint: Intellect Books
Publication Date: 15 May 2012
Trim Size: 9.00 X 7.00 in
ISBN: 9781841504889
Format: Paperback
BISACs:

ART / General, Film history, theory or criticism, ART / Film & Video, The Arts: art forms

REVIEWS Icon
'Amy Greenfield shows us how camera movement and human motion can be ecstatically joined together.' – Whitney Museum of American Art

 

'[Greenfield’s films] give us the camera as a surrogate hand as well as a surrogate eye. They provoke questions regarding relationships between physical and psychological distances; they suggest a tension between all-seeing and selective observation. Greenfield takes the commonplace and makes it seem surreal.' – Artweek

 

'Dazzling. We’re able to experience [her] Antigone as if we had never seen it performed in any other form before, an Antigone at once sensual and erotic, timeless and timely.' – Los Angeles Times

 

'Light of the Body is especially remarkable in that it manages to remain a film of the beauty of illuminated nudity—no sexual manipulation. Bravo!' – Stan Brakhage

 

'A surreal masterpiece. The beauty rises to a level of intoxication, thus making Wildfire direct in its reconciliation of poetry and motion.' – Williamsburg International Film Festival

 

'[Amy Greenfield] has continually engaged with and embraced new technologies.' – Mark Moran for PictureVille

 

'An innovatively structured book, rich with primary sources, which will be of interest to art aficionados, historians, and scholars.' – Dance Chronicle, Colleen Hooper